Awards Chatter

In front of an audience at the Napa Valley StreamFest, one of TV's most prolific creators reflects on being fired early in his career from 'Boy Meet World,' 'The Nanny' and 'Friends,' how he wound up co-creating and running 'Spin City' while in his 20s, the happy accidents that led to 'Scrubs' and 'Ted Lasso,' and why his Apple TV+ Emmy contender is being extended beyond its original three-season plan.
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In front of an audience at the Napa Valley StreamFest, the legendary TV actress and breakthrough film director reflects on following her late mom Jayne Mansfield into the business; playing sex crimes investigator Olivia Benson for 27 years and counting (making her the longest-running character in an American primetime live-action show); and exploring her complicated personal history in a 2025 HBO doc that is now eligible for an Emmy.
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In front of an audience at the Boulder International Film Festival, the veteran star of screens big ('The Hunt for Red October' and 'The Cooler') and small ('30 Rock' and 'SNL') reflects on how he stumbled into acting, what forced his pivot from leading man to character parts, how we wound up impersonating Trump and what his life has been like since the tragic accident that claimed the life of cinematographer Halyna Hutchins on the set of 'Rust' in 2021.
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The legendary star reflects on how clinical depression led him to acting, the unlikely ways he broke into the movies and was cast in 'Star Wars,' why he long yearned to escape "leading man" roles and to play "character parts" and why he so loves his current challenge of playing an acerbic psychotherapist battling Parkinson's disease on Apple TV's Emmy-nominated comedy.
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The Oscar-winning producer of films like 'Chariots of Fire,' 'Local Hero,' 'The Killing Fields' and 'The Mission,' who was once described by the New York Times as "the white knight of the British film industry," and who later became the first non-American to run a Hollywood studio, reflects on his path from school dropout to ad industry phenom to filmmaking; why he so often bet on first-time directors, non-star actors and character-driven dramas; and his brief and turbulent time running Columbia Pictures.
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