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Classical Breakdown

WETA Classical
Classical Breakdown
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  • Shostakovich's Symphony No. 5: a symphony of bravery, intrigue, and survival
    Few other works in the canon occupy a place like this symphony by Dmitri Shostakovich. John Banther and Evan Keely dive into history as they show you what to listen for, Shostakovich's perilous circumstances, and what clues he could have left for all of us in the music.Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.
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  • An update on Florence Price!
    I have a special update for you on Florence Price because of the hard work of a particular listener and a previous guest. Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.
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  • The most difficult music for piano: Gaspard de la Nuit by Maurice Ravel
    Ravel wrote something so difficult he couldn't even play it, and he even dared to criticize others' performances! Linda Carducci and John Banther dive into a work that challenges the most virtuosic of soloists, its frightening accompanying poetry, and what exactly makes it so difficult. Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.
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  • The Future is Female: Exploring Clarice Assad and the Boulanger Initiative with Laura Colgate
    Discover contemporary works by living Brazillian composer Clarice Assad that cover chamber music, solo piano, and orchestra. Then Co-Founder Laura Colgate tells us everything we need to know about and how you can benefit from the Boulanger Initiative, which advocates for women and gender-marginalized composers.Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.
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  • Ethel Smyth's Mass in D: A 19th century mass by an extraordinary woman!
    Conductor Steven Fox joins John Banther to talk about this Mass that was overlooked after its premiere in 1893. Fox tells us everything we need to know about a mass, what to listen for, and how Ethel Smyth's mass stands apart. We also touch on her life as she was an aggressive suffragette, women's rights advocate, and openly bisexual composer in the 19th and early 20th centuries.Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.
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About Classical Breakdown

John Banther takes classical music fans behind the scenes with interviews, deep dives, and analysis. Episodes released bi-weekly on Tuesdays. Produced by WETA Classical in Washington, D.C.
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