The Screenwriting Life with Meg LeFauve and Lorien McKenna

• 240 | George Saunders' Storytelling Masterclass

  JOIN TSL WORKSHOPS: https://tslworkshops.circle.so George Saunders is a writer of novels, short stories, and non-fiction, whose work has amassed a collection of awards, including The Booker Prize for his debut novel, Lincoln in the Bardo. His essay collection A Swim in a Pond in the Rain, which focuses on the storytelling prowess of four Russian masters, was not only a bestseller, but invited passionate responses from his readers, who are as obsessed with story math as we are. George is the ultimate story junkie, as evidenced by his wildly popular Substack, Story Club, which features his musings about the mechanics, mystery, and magic of great storytelling. CHECK OUT GEORGE'S SUBSTACK: https://georgesaunders.substack.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

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• 239 | Wicked Co-Writer Dana Fox on Why You're Avoiding Your Writing

  Dana Fox offers an incredibly generous admission in today's conversation: "I find writing REALLY torturous." And yet, she's one of Hollywood's most successful writers, having written on major franchises like CRUELLA and recently WICKED, which has earned her countless industry award nominations. What's her secret? Tune in as she discusses why writing can feel so hard and how she pushes through those blocks - or perhaps more fittingly, defies gravity. Learn more about your ad choices. Visit megaphone.fm/adchoices

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• 238 | How To Create and Maintain a Screenwriting Career Outside of LA or NY (ft. Will Fetters and Chris Sparling)

  JOIN TSL WORKSHOPS: https://tslworkshops.cricle.so For decades, if you wanted to make it as a Hollywood writer, the first step was simple: move to Hollywood. But increasingly, screenwriters have found that they're able to create and foster screenwriting careers outside of Los Angeles. Two folks who have done that successfully, Will Fetters and Chris Sparling, join us today to talk about the practical logistics of making your Hollywood writing career work no matter where you live. Learn more about your ad choices. Visit megaphone.fm/adchoices

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• 237 | Malcolm Washington & Virgil Williams (The Piano Lesson) On Adapting August Wilson's Pulitzer-Winning Masterpiece

  JOIN TSL WORKSHOPS: https://tslworkshops.circle.so It's no secret that plays and movies are entirely different mediums, so how do you give the cinematic treatment to a play as celebrated as "The Piano Lesson" by Pulitzer Prize-winning August Wilson? From the start, co-writer and director Malcom Washington came in with a very specific take on the material, and was incredibly grateful when Oscar-nominated "Mudbound" co-writer Virgil Williams came on board to help nurture that take on the page. In today's conversation, you'll hear how the two of them wrote together in the desert, creating a routinized approach to the material, while still leaving space for discovery. Learn more about your ad choices. Visit megaphone.fm/adchoices

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• 236 | Liz Feldman (Dead To Me, No Good Deed): Writing is Self-Destruction, Self-Reflection, and Self-Correction

  JOIN TSL WORKSHOPS: https://tslworkshops.circle.so What sounds harder? Writing a pilot alone at your desk, or running your own TV show with 300 folks trying to execute your vision? For Liz Feldman, it's the former, which affirms what we often say on this show: writing is really, really hard. Despite that, Liz has almost 30 years of TV writing experience under her belt, including two hits for Netflix that she created and showran: Dead To Me and No Good Deed. Join us as she unpacks her creative process. Learn more about your ad choices. Visit megaphone.fm/adchoices

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