The Screenwriting Life with Meg LeFauve and Lorien McKenna

• Indie Film Craft 3 | How to Get Life Rights As an Indie Filmmaker (and Make the Biopic Indie Audiences Actually Want) ft. The Bragg Brothers

  Join TSL Workshops: https://tslworkshops.circle.so How do you turn a real-life moment into a movie — without studio backing or a big festival launch? Jeff talks with The Bragg Brothers about making PINBALL: THE MAN WHO SAVED THE GAME, an indie biopic about GQ journalist Roger Sharpe, who helped overturn New York’s ban on pinball in 1976. They share how they spotted the story’s potential, built trust with Roger and their financier MPI, and crafted a fun, visually bold film — complete with narration and performances from major talent like Mike Faist (CHALLENGERS). If you’re developing a true story or curious how two filmmakers turned a niche moment into a breakout debut, this episode is for you. Learn more about your ad choices. Visit megaphone.fm/adchoices

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• 255 | From Finalist to Staffed: How Austin Film Festival Helped Us Break In (ft. Sylvia Batey Alcalá & Mac Smullen)

  This week, we’re spotlighting two incredible TV writers whose journeys were meaningfully shaped by the Austin Film Festival. Sylvia Batey Alcalá (A MAN ON THE INSIDE, PRIMO) and Mac Smullen (SOUVENIR, ALASKA) share how AFF helped get their names out there —building momentum, sparking connections, and opening doors that had long felt closed. But a festival isn’t the finish line — it’s the starting gate. Sylvia and Mac walk us through the real (and rewarding) work it takes after recognition: rewriting, building reps, pitching, and staying ready for the moment when things start to move. It’s a candid, thoughtful, and energizing conversation about what breaking in looks like today — and how festivals like AFF can help writers get in the game. Learn more about your ad choices. Visit megaphone.fm/adchoices

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• 254 | "I'm Stuck": What to Do When the Writing Just Isn't Working

  In this episode, Meg gets real about where she’s at in her writing process — the doubts, the stalls, and the honest truth of feeling stuck. We answer listener questions about momentum, mindset, and the tough question of when it’s time to move on from a project that just isn’t working. Whether you're in a rut or wrestling with a story that won’t cooperate, this one’s for you. Learn more about your ad choices. Visit megaphone.fm/adchoices

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• 253 | Producing a Hit Studio Movie: What Writers Should Know ft. Sheila Hanahan Taylor (Final Destination: Bloodlines)

  Fresh off the massive critical and commercial success of FINAL DESTINATION: BLOODLINES, friend of the show Sheila Hanahan Taylor is back to share the ins and outs of producing a studio movie. What can writers do to develop a good relationship with a producer? How does a producer serve both the studio's voice and the writer's voice? On today's episode, Sheila unpacks it all! Learn more about your ad choices. Visit megaphone.fm/adchoices

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• 252 | Creating a Complex Protagonist with a Simple Goal ft. Kim Rosenstock (Dying for Sex)

  JOIN TSL WORKSHOPS: https://tslworkshops.circle.so This week, we’re joined by Kim Rosenstock (DYING FOR SEX) to explore how a complicated protagonist with a simple goal drives interesting, rich, and emotionally resonant storytelling. Through the lens of her deeply personal and genre-blending show, which she co-created with Liz Meriwether, Kim shares how clarity of objective gave DYING FOR SEX its emotional depth, tonal range, and narrative momentum — and why writers shouldn’t be afraid to keep their characters’ goals simple, even when the journey is anything but. Learn more about your ad choices. Visit megaphone.fm/adchoices

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