1051 episodes
- This week, Kim Masters sits down with Oscar-winning documentarian Alex Gibney to talk about his new film, Musk. Gibney explains how the project grew from two hours to nearly four as Elon Musk aligned himself with Donald Trump, and the unexpected difficulties he faced when major social media platforms initially refused to run ads for the film. He also discusses why he remains confident the documentary will stream on HBO, despite David Ellison’s takeover of Warner Bros. and Musk’s billion-dollar investment in Skydance, and shares his outlook on the upcoming midterms.
Plus, Masters and Matt Belloni take a closer look at Musk’s relationship with the Ellisons, what a multi-billion dollar investment from Elon could mean for Skydance’s future, and whether Hollywood talent might think twice about working with the company. - It’s official: Bela Bajaria and Dan Lin are out at Netflix, and Peter Rice is in as the streamer’s new chief content officer. Kim Masters and Matt Belloni break down the shakeup, how Rice landed the top job, and who he might recruit to oversee Netflix’s future projects.
Plus, we’re sharing some unheard moments from Masters’ recent conversations. Tiger King filmmaker Eric Goode explains how his years running New York nightclubs, restaurants, and hotels prepared him for a documentary career involving venomous snakes and armed exotic animal traffickers. And veteran marketing executive Gerry Rich looks back at working with the Broccoli family to revive James Bond with GoldenEye, along with his experiences working for a notorious Hollywood producer who once threatened to break Kim’s kneecaps. - This week, Kim Masters sits down with veteran Hollywood marketing executive Gerry Rich to talk about his memoir, Chasing Hollywood. Rich recalls the nightmare of working for Harvey Weinstein at Miramax, helping launch Iron Man before Marvel became part of the Disney empire, and getting a crash course in Amazon’s bizarre corporate culture after it acquired MGM. He also revisits a bitter Paramount power struggle involving Josh Greenstein, who now co-chairs Skydance’s film group overseeing Paramount and Warner Bros.
Plus, Masters and Matt Belloni break down yet another round of Hollywood layoffs, this time at Netflix. The banter partners discuss the streamer's decision to cut 1,000 jobs amid slower-than-expected growth and what the latest reductions signal for the streaming business. - This week, Van Dyke Parks sits down with The Business showrunner Joshua Farnham to look back at a career that stretches from childhood acting to collaborating with Brian Wilson, and scoring films for Jack Nicholson. He also recalls his first arranging job, The Bare Necessities for Disney’s The Jungle Book, and how Harry Nilsson talked him into spending five months in Malta for Robert Altman’s Popeye.
Plus, Kim Masters and Matt Belloni sort through who’s in and who’s out at Skydance. They discuss the unceremonious dismissal of Warner Bros. film chiefs Mike De Luca and Pamela Abdy, who’s taking their jobs, and the company’s promises for paying down its mountain of debt. - This week, Kim Masters speaks with actor Malcolm McDowell about his six-decade career and the long journey to finally making his latest film, the western Last Train to Fortune. McDowell reflects on his friendship with mentor and director Lindsay Anderson, shares stories from the set of Stanley Kubrick’s A Clockwork Orange, and looks back at the chaotic production of Caligula, including how Penthouse founder Bob Guccione took control of the film and added unsimulated material in post production.
Plus, Masters and Matt Belloni share the latest WarnerMount updates, including former Mattel CEO Ynon Kreiz joining David Ellison to run the new studio, Cindy Holland’s departure as Casey Bloys prepares to lead its streaming division, and the latest questions surrounding the fate of CNN.
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About The Business
Lively banter about entertainment industry news and in-depth interviews with directors, producers, writers and actors, hosted by award-winning journalist Kim Masters of The Hollywood Reporter.
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