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This is Vinyl Tap

This Is Vinyl Tap
This is Vinyl Tap
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  • SE 5, EP 15: Ian Hunter - You're Never Alone with a Schizophrenic
    Send us a textThis week we discuss Ian Hunter and his 1979 LP You're Never Alone with a Schizophrenic.  Hunter worked a long time to find success. His band Mott the Hoople were instrumental in advancing glam rock by giving it a rougher edge. David Bowie was such a fan of the band that he even gave them the song "All the Young Dudes" which became the title track for their most popular album, which he also produced. Hunter eventually left Mott the Hoople to concentrate on a solo career and made several albums with Bowie collaborator, and guitarist extraordinaire, Mick Ronson. The results were a series of fine albums, featuring Hunter's (admittedly limited, but expressive voice) against Ronson's classic Marshall stack sound. You're Never Alone with a Schizophrenic not only features Ronson, but several members of Bruce Springsteen's E Street band, grounding the album with a solid foundtion. The song "Cleveland Rocks" became an anthem for the birthplace of Rock-n-Roll and "Ships" was even covered by Barry Manilow, becoming one of his biggest hits. But don't let the Manilow cover fool you, You're Never Alone with a Schizophrenic is chock full of rock and roll energy and is considered by many as Hunter's crowning achievement. Visit us at www.tappingvinyl.com.
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  • SE 5, EP 14: The New York Dolls - The New York Dolls
    Send us a textOn this week's episode, we discuss the self-titled debut by the New York Dolls, one of most influential albums of the 1970s. The New York Dolls blended the Rolling Stones' swagger with garage rock aggression and glam rock theatrics, that both embraced the sounds of early rock and roll and foreshadowed punk rock. Produced in what seems like an unusual hands-off approach by Todd Rundgren,The New York Dolls presents the band with minimal polish. Its full of high energy songs about teenage angst, heartbreak, sex, drugs, and city life played with sloppy abandon. The New York Dolls is a blast from the get go and is must listen for anyone into punk, glam, or just plain good ol' rock & roll. Visit us at www.tappingvinyl.com.
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  • SE 5, EP 13: The Lemon Twigs - A Dream is All We Know
    Send us a textOn this week's episode, we discuss  an album that came out in 2024, the fifth album by the Lemon Twigs, A Dream is All We Know. Consisting of multi-instrumentalist brothers Brian and Michael D'Addario, the music of the Lemon Twigs often feels like it’s been plucked straight from the 1960s or 1970s. Echos of the Beatles, the Kinks and the Beach Boys are obvious, in fact they brothers call the sound of this LP "Mersey Beach." However, the Brothers  D'Addario make it all sound fresh and relevant.  Coming just a year off of their critically heralded LP Harmony Everything, the wonderfully constructed songs on A Dream Is All We Know feels like as the culmination of everything the Lemon Twigs recorded before it. A shimmering pop gem full of multi-layered ear worms, quirky song structures, and beautifully lush harmonies. There is a breadth and depth here not found on many modern rock albums that rewards the listener with each repeated listen. Visit us at www.tappingvinyl.com.
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  • SE 5, EP 12: The La's - The La's
    Send us a textOn this episode, we discuss one of the most heralded debut albums of the early 1990's: The La's by the La's. Heavily influenced by the 1960s British Invasion bands, The La’s is full of bright, jangly, melodic guitar pop, ear-worms all. The single “There She Goes” has become a classic, and is possibly one of the most perfectly constructed pop songs ever recorded. The album’s history, however, is one of the most tortured in the annals of rock and roll.  The band’s leader, Lee Mavers became known for his uncompromising perfectionism in search of the perfect sound. He obsessed over everything: from the perfect placement of the microphones, to the required vintage feel of instruments and tape machines (even claiming that cleaning the 1960’s era dust off them significantly affected their sound). As a result of Mavers’ never-ending dissatisfaction with the inability to replicate the sound in his head, it took over three years to complete the album, 12 separate studio sessions, 7 producers, and several lineup changes along the way. The band actually walked out during the final recording session, leaving the album to be completed by the producer, Steve Lillywhite. Predictably, the band publicly disowned the album after its release and even discouraged people from buying it. Despite all of that, the album became a critically acclaimed and extremely influential pop classic, and in the decades since its release, is considered one of the finest albums released in the 1990’s.  Visit us at www.tappingvinyl.com.
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  • SE5, EP 11: The Youngbloods - The Youngbloods
    Send us a textOn this episode, we discuss one of the first albums of 1967, the eponymous debut by the Youngbloods.  1967 is one of the most heralded years in rock music, and The Youngbloods was a good primer to the music that would come culminating in the Summer of Love. Originally from the East Coast, the Youngbloods took inspiration from the folk music and acoustic blues they heard and played in the coffee houses of the in The Village in New York and fused it with the sounds of coming from the West Coast. Best known for the top 5 single "Get Together," The Youngbloods is an eclectic LP,  full of by amazing and unique harmonies and sound that is equal parts rock, folk, and West Coast jangle.Visit us at www.tappingvinyl.com.
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About This is Vinyl Tap

Mining the layers of long players. We focus on great albums in their entirety and believe every album tells a story. We take a deep dive into the history of the artist and the album while discussing the merits of the music within the grooves. We are highly opinionated and outspoken and hope to provoke you into sharing your own opinions on albums. If you are serious about great music, this is your podcast. www.tappingvinyl.com
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