Booked On Rock with Eric Senich

Paul Simon’s Graceland is one of the most celebrated albums of the 1980s, blending American songwriting with South African musical traditions. But behind the groundbreaking 1986 album are fascinating stories of creative reinvention, unlikely collaborations, political controversy, and disputes over songwriting credits and royalties.I

In this episode of Booked On Rock, I'm joined by Kalvin Schmidt-Rimpler Dinh, author of Paul Simon’s Graceland from Bloomsbury’s 33⅓ Africa series, to explore the making of this landmark album. Discover how a cassette of South African accordion music inspired Simon during a difficult period in his life, why recording in apartheid-era South Africa sparked controversy over the international cultural boycott, and how musicians including Ray Phiri, Bakithi Kumalo, Isaac Mtshali, and Ladysmith Black Mambazo helped create the album’s unmistakable sound.

We also uncover the remarkable recording trick behind the famous backward bass solo in “You Can Call Me Al,” the meaning behind songs like “Graceland,” “The Boy in the Bubble,” and “Diamonds on the Soles of Her Shoes,” and the contributions of Linda Ronstadt and Joseph Shabalala. Plus, we examine the songwriting-credit disputes involving Los Lobos and Rockin’ Dopsie and ask whether Simon’s collaborators received the recognition they deserved.

More than four decades into his career, Paul Simon reinvented himself with an album that crossed musical and cultural boundaries. Forty years after its release, Graceland remains a masterpiece with a complicated legacy—and this conversation reveals why its music and controversies still matter.

Purchase a copy of Paul Simon's Graceland [33 1/3]

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The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe

What happens when five hard rock and metal songs inspire five dark tales of psychological horror, supernatural mystery, revenge, and redemption?

On this episode of Booked On Rock, author Courtney Skelton discusses his book Inspired, a collection of five short stories born from songs by Reign of Z, Bullet to the Heart, Eden on Fire, and The Almas.

Courtney reveals how the haunting emotions and lyrics behind these songs became gripping works of fiction. From a woman fighting back against a terrifying attacker to a troubled character seeking forgiveness, a kidnapping victim confronting the voices in her mind, and a mysterious presence reaching out from beyond the grave, each story takes its musical inspiration in an unexpected direction.

We also discuss the creative freedom the bands gave Courtney to reinterpret their music, his admiration for horror legends Stephen King and Clive Barker, Stephen King's complicated relationship with Stanley Kubrick's adaptation of The Shining, and the remarkable moment when a song by The Almas helped Courtney finish a story that first came to him in a dream.

It's a conversation about the connection between rock music, storytelling, psychological suspense, and the unexpected places creativity can take us.

Featured songs and artists:
Reign of Z – "Cellophane" and "Whispers in the Walls"
Bullet to the Heart – "Falling Away"
Eden on Fire – "Fallen"
The Almas – "Lifeline"
Purchase a copy of Inspired

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The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe

Howard Stern’s relationships with rock stars produced unforgettable interviews, unlikely friendships, and plenty of fallout. Author Greg Prato returns to Booked On Rock to discuss his book, The Great American Nightmare: An Oral History of the Howard Stern Show, and Stern’s influence on rock music.

We explore Howard’s falling-out with Bon Jovi, his championing of Enuff Z’Nuff, revealing visits from the Ramones and Leslie West, and Dave Grohl’s celebrated acoustic performance of “Everlong.” Greg also recounts Howard’s claim that Van Halen wanted $1 million for a new David Lee Roth song for the Private Parts soundtrack, Ozzy Osbourne’s emotional meeting with Paul McCartney, and KISS’s 2023 appearance.

Plus, we discuss why musicians opened up to Howard, how his show changed over the years, and why some of its most famous moments look different today.

Purchase a copy of The Great American Nightmare: An Oral History of the Howard Stern Show

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Greg Prato Linkedin Page

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The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe

What if one of the most influential drumbeats in music history came from a musician who never received the recognition—or compensation—he deserved?

Clyde Stubblefield, James Brown's legendary drummer, created the iconic groove behind "Funky Drummer," one of the most sampled drumbeats in hip-hop history. His unmistakable rhythms helped shape funk, soul, hip-hop, and modern popular music, influencing generations of musicians and producers.

In this episode of Booked On Rock, author D. Leah Steinberg joins me to discuss her book, Clyde Stubblefield: Rhythms of the Funky Drummer, revealing the remarkable life and overlooked legacy of the man behind the beat.

Steinberg shares fascinating stories about Clyde's early musical influences in Chattanooga, Tennessee, his groundbreaking work with James Brown on songs like "Cold Sweat" and "Funky Drummer," and his complicated relationship with the Godfather of Soul.

You'll hear about James Brown fining musicians during performances, the circumstances surrounding Clyde's departure from Brown's band, and why the legendary drummer found greater personal freedom performing in Madison, Wisconsin.

The conversation also explores Clyde's contributions to Garbage's 1995 debut album, including "Queer" and "Not My Idea," his influence on hip-hop artists such as Public Enemy, and the extraordinary story of Prince quietly helping pay more than $90,000 toward Clyde's medical expenses.

Despite having his rhythms sampled in approximately 2,000 recordings, Clyde struggled to receive the recognition he deserved. Steinberg reveals how his creativity, humility, and generosity left an enduring mark on music far beyond his years with James Brown.

Discover the untold story of one of funk's most important musicians and the drumbeat that helped change popular music forever.

Purchase a copy of Clyde Stubblefield: Rhythms of the Funky Drummer

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The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe

How did Nirvana, Pearl Jam, Soundgarden, and Alice in Chains transform Seattle’s underground music scene into a worldwide rock revolution?

Music journalist and author Gillian G. Gaar returns to Booked On Rock to discuss her new book, Grunge: The Story of the Music That Redefined Rock. Having witnessed the rise of grunge firsthand in Seattle, Gaar takes us inside the music, musicians, and independent labels that helped change rock history forever.

Discover how pioneering bands like the Melvins, Green River, and Mudhoney laid the groundwork for grunge, how Sub Pop Records marketed the Seattle sound, and why Nirvana’s Nevermind became a phenomenon nobody saw coming. Gaar also reveals the influence of producer Jack Endino, the evolution of Alice in Chains, and how Eddie Vedder helped transform a group of musicians into Pearl Jam.

Plus, hear fascinating behind-the-scenes stories about Kurt Cobain, Butch Vig’s production of “Smells Like Teen Spirit,” the making of In Utero, and Gaar’s personal memories of encountering Cobain backstage at Nirvana’s 1993 MTV Live and Loud performance. She also recalls covering Cobain’s tragic death in 1994 and explores the lasting legacy of Soundgarden, Pearl Jam, and the Seattle grunge movement.

From the early days of Seattle’s underground clubs to the explosion of alternative rock in the 1990s, this episode explores how grunge changed music—and why its influence continues to resonate more than three decades later.For more classic rock author interviews, visit bookedonrock.com.

Purchase a copy of Grunge: The Story of the Music That Redefined Rock

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Booked On Rock is part of The Boneless Podcasting Network
 
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Follow The Booked On Rock with Eric Senich:
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The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe