Tape Spaghetti

In this year’s Tape Spaghetti Christmas special, Scott & Blake ask a question that you’ve probably never considered – but won’t be able to unhear afterward: why does Christmas music sound so… Hawaiian? Unraveling X-Mas tunes’ tropical DNA takes us back to 19th-century Hawaiian royalty, to the invention of the steel guitar, through WWII, tiki bars, surf rock, and suburban America’s obsession with escapism. Along the way, elements of Hawaiian music quietly crept into mainstream country, pop, and holiday standards, making classics like Blue Christmas and Mele Kalikimaka feel downright cozy and festive. Grab an eggnog, get comfy, and prepare to forever change how you hear Christmas music.

In this special edition of Tape Spaghetti, Scott and Blake wrap up  and run down their favorite albums of 2025…. and, as usual, a whooole buncha other stuff. From revelations about their own streaming habits, strong opinions on production choices and pedal chains, a victory lap on year one of Tape Spaghetti, and oh yeah, spotlights on the guys’ picks for the best albums of the year, this one is a journey of deep-dives and nostalgia bombs that touches on Euro-country, lush indie rock, and a surprise posthumous appearance from Waylon Jennings. Whether you’re into metal, pop, country, indie, or “whatever the heck this is,” don’t miss this one.

What if we told you that the biggest electronic album of all time started as a complete flop? In this episode of Tape Spaghetti, Scott and Blake tell the unbelievable story of how Moby’s Play went from career-killing failure to a global phenomenon thanks to the most shamelessly brilliant licensing plan ever executed. After alienating his fans with a hardcore punk passion project and getting dropped by his U.S. label, Moby was broke, discouraged, and convinced his next record would be his last. When Play arrived to almost no sales he figured he'd been right... until his team hatched a wild idea: say yes to EVERY licensing request. Coffee commercials? Yes. Car ads? Hell yeah. Buffy the Vampire Slayer? Where do we sign? Soon every track—every *single* track—from the album appeared somewhere, creating a slow-burn cultural takeover and eventually pushing Play to 12 million sales worldwide. It’s a one of a kind tale of artistic desperation, shrewd copyright strategy, and the moment Moby became the accidental king of commercial syncs.

Remember the feeling of being a kid and encountering an album cover that you just *knew* you weren’t supposed to be looking at? On this week’s Tape Spaghetti we’re turning that feeling up to 12 as Scott and Blake dive into the flat-out shocking world of controversial album art. From covers that got bands banned in department stores, to designs that sparked lawsuits, protests, and panicked parents, the guys explore infamous cases of musicians pushing the visual envelope (literally). Why have certain covers triggered outrage while others slipped under the radar? How do taboos shift from decade to decade? And why do artists take the risk of marketing shock value? Scott and Blake reflect on their own experiences discovering “forbidden” records and debate whether today’s digital music world has lost something by leaving provocative album art behind. This one’s not for the squeamish or easily icked….

Is elevator music... evil? In this week’s Tape Spaghetti, Scott and Blake go on a tour through the highly unlikely, slightly dystopian history of Muzak – the music nobody loves, but everyone hears. Born from military experimentation, electrical engineering breakthroughs, and a dream to make Americans more productive through calibrated background sound, Muzak might sound aimless, but it was designed to manipulate and control. Workers alternately found it calming or patronizing. Counterculture movements mocked it. Ted Nugent tried to destroy it. Yet, Muzak survived long enough to infiltrate elevators, the White House, NASA missions, and grocery stores everywhere. The guys trace its legacy all the way to modern lo-fi playlists and “music for airports,” proving blandness has a surprisingly colorful past.