Toy Heart with Tom Power (A Podcast About Bluegrass)
Tom Power
CBC radio host Tom Power ("q") and BGS (The Bluegrass Situation) bring you the most in-depth podcast about the origins of bluegrass ever created. Power sits dow...
We could hardly think of a better guest with whom we’d conclude our second season of Toy Heart than 27-time Grammy Award winner, Alison Krauss. Arguably the most prominent bluegrass musician in the genre’s nearly one hundred year history – certainly the most well-known in her own generation – host Tom Power’s laughter-filled conversation with Krauss weaves through her childhood and upbringing, from her grandparents immigrating to Chicago (then her parents to Champaign, Illinois) and Alison's first fiddle contests all the way to her first Grammy win as a young adult.In a rare podcast interview, Krauss is funny, charming, and open, her candor painting a picture of the bluegrass community's lifelong support and the winding journey that has brought her to the present, as one of the most recognizable voices and musicians in American roots music. From her earliest hits like “Steel Rails” and “Every Time You Say Goodbye” to collaborating with Robert Plant, James Taylor, the Cox Family, and more, to her Buddy Cannon-produced 2017 album, Windy City, Power and Krauss talk about song selection, her early days touring and road-dogging with Union Station, and how it felt when her musical career really began to take off. But these stories aren’t just about awards and accolades. They chat about many moments, the big and small, that define Krauss, the festivals that became like homes, and the bonds that music forged with her band, Union Station, and her many collaborators. They explore how Krauss creates on the boundaries of many roots genres – plus what she views as bluegrass and what’s not bluegrass – the authenticity that she’s tried to capture throughout her career, and the cultural waves made by projects like O Brother, Where Art Thou? and the Down From the Mountain tour.From personal anecdotes about Ralph Stanley and Larry Sparks to her feelings about Billy Strings’ massive success to a jaw-dropping and exciting revelation that she and Union Station are working on a new bluegrass album, our season finale with Alison Krauss is truly one of our best Toy Heart episodes to date. Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods
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1:22:13
Jody Stecher
For the latest episode of Toy Heart, we embark on a journey through the primordial, musical ooze that birthed bluegrass, old-time, and country music with the incredible Jody Stecher. A multi-instrumentalist adept in many styles and traditions – he even plays sarod, a Hindustani instrument – Stecher’s entire career is a fascinating case study in the interconnectedness of American folk music styles. Host Tom Power begins their engaging and philosophical conversation by asking Stecher about his childhood in New York City. A grandchild of eastern European immigrants, he “discovered” country and bluegrass like many in his generation, listening to the Wheeling Jamboree radio program on WWVA and hearing first generation pickers like the Osborne Brothers and Jimmy Martin & the Sunny Mountain Boys, including “Baby Crowe,” a young, just-hired banjo player who went by “J.D.” Soon after, Stecher replaced mandolinist (and one-day industry power player) Ralph Rinzler in bluegrass band, the Greenbriar Boys, before joining another group, the New York Ramblers. From those early years, cutting his teeth in local, regional, and eventually national outfits to iconic albums like Going Up On The Mountain and his current status as a venerated expert and acclaimed elder in American roots music, Jody Stecher utilizes music and his expertise to demonstrate how blurry the lines really are between these folk genres. Power and Stecher discuss teaching, David Grisman – and collaborating with Jerry Garcia! – meditation and music, early sounds and recordings by folks like Bill Monroe and the Stanley Brothers, being a member of Peter Rowan’s band, his duo with Kate Brislin, Utah Phillips, and so much more. Whether you're a lifelong fan of roots music or new to these scenes, Tom Power and Jody Stecher’s Toy Heart episode will inspire, highlighting stories, traditions, and techniques that make bluegrass, old-time, and country music exactly what they are today. Presented by BGS (The Bluegrass Situation)Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods
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1:09:30
Tim O'Brien
Our latest guest on Toy Heart is bluegrasser, multi-instrumentalist, and songwriter Tim O’Brien. His conversation with host Tom Power begins by remembering the music of his childhood, growing up in Wheeling, West Virginia listening to Chubby Checker on his crystal radio set and attending the nationally renowned country variety show and radio broadcast, the Wheeling Jamboree. Encountering the music of Merle Haggard and Doc Watson via local radio and television, he fell in love with music as a kid before a few friends introduced him to Bill Monroe’s mandolin playing while smoking a post-gig joint as a teen. After dropping out of college, O’Brien hitchhiked west to Wyoming, before landing in Colorado and eventually founding Hot Rize in the mid to late ‘70s with newly married and relocated Dr. Banjo himself, Pete Wernick. Over the course of their winding and dense conversation, Power and O’Brien chat about Gibson mandolins, the burgeoning Colorado string band scene, working with Bill Monroe, and the strange, circuitous story of his fiddle’s provenance. O’Brien’s career, as multifaceted as it has been, is a wellspring of stories, anecdotes, and yarns about the bluegrass scene of the ‘80s and ‘90s, Irish music, writing hit country songs, working with and alongside so many first generation bluegrass legends, and the inception of Hot Rize’s alter ego band, Red Knuckles & the Trailblazers. Having recorded and performed with the Chieftains, Darrell Scott, the Transatlantic Sessions, and so many others, Tim O’Brien’s career is a melting pot of styles and sounds with one primary throughline: the true originality of his own musical vocabulary. As Power puts it, “I couldn't tell you what Tim O'Brien sounds like, but I know Tim O'Brien when I hear it.”Our Toy Heart episode examines O’Brien’s expansive and impressive career at a fascinating juncture in its span, as he shifts from being a bluegrass and Americana workhorse to a forebear, mentor, and roots music elder to entire generations of young musicians. Presented by BGS (The Bluegrass Situation)Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods
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1:29:07
Laurie Lewis
In the latest episode of Toy Heart, we explore the roots and evolution of bluegrass in the modern era by examining the story of legendary bluegrasser, singer-songwriter, and recording artist, Laurie Lewis. From her tales of growing up in Berkeley during what Lewis jokingly calls the “folk scare” of the '60s to finding the joy of music through her father's classical background and eventually becoming a pioneer for women in the genre, her lifelong career in American roots music is a perfect example of how the innovation and tradition-bending tendencies of bluegrass’s first generation continue full force today. Lewis’s musical transformation over the course of her life shows the entrancing power of bluegrass to steer and alter the course of hers and so many others’ lives. In our Toy Heart interview, Lewis chats with host Tom Power about the magnetic pulls of Chubby Wise's fiddle tunes, of albums by the Greenbriar Boys, and of a formative live show by the Byrds. She talks about studying modern dance, “disappointing” her father by “rebelling” and choosing folk music forms over classical, and what eventually led to late-night jams, fiddle contests, and navigating the Bay Area's bustling bluegrass, folk, and women’s music scenes. Their conversation closes with a reflection on the ways bluegrass has affected Lewis the most, and, how it continues to shape the identities of its artists and listeners with an intractable, ineffable pull. Power and Lewis point out how current generations – from Molly Tuttle to Tatiana Hargreaves, both mentees and collaborators of Lewis – continue in these same traditions. Plus, Lewis shares what it was like to tour and sing with Dr. Ralph Stanley, himself.This Toy Heart episode dives deep into the many layers of the genre, helping to demonstrate just some of the many ways bluegrass interweaves itself into musicians’ and fans’ personal and musical identities. Lewis shows there are countless joys in staying true to one's artistic vision amidst an industry that is always in flux; her insights offer a soulful perspective on continuity and change within the genre, echoing the sentiments of a community that, much like a family, supports and evolves with its members – and that continues to rightly hold Lewis up as a trail-breaker and standard-bearer for the entire genre.Presented by BGS (The Bluegrass Situation)Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods
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1:00:16
Mike Compton
Bluegrass fans know Mike Compton from his long and eclectic resumé, including decades of touring and recording traditional Monroe-style mandolin with greats like John Hartford, Doc Watson, Peter Rowan, Ralph Stanley, Alison Krauss, and David Grisman, as well as venturing into more mainstream music with with Sting, Gregg Allman, Elvis Costello, and many others. He was also heard on the soundtrack for O Brother, Where Art Thou? and traveled with the smash hit tour, Down from the Mountain, which highlighted the artists and musicians on that incredibly popular soundtrack. But, as Toy Heart host Tom Power points out, it’s not just virtuosity that makes Compton stand out as a mandolinist – it’s just as much about the heart, feel, and grit that he brings to the instrument.Tom speaks with Compton for over an hour for this exclusive Toy Heart interview, walking through his life and career, from the musical influence of his great grandparents and growing up in Meridian, Mississippi to the indelible mark left on his own playing style by Bill Monroe. Compton also recalls his childhood, skipping school to hide out in a “dirt pit” to practice all day, his time in Nashville – including a historic visit to China with the Nashville Bluegrass Band – and recounts his collaborations with the legendary John Hartford. You’ll also hear Compton discuss the impact that playing on O Brother, Where Art Thou? had not only on himself and his own career, but on bluegrass as a whole.Presented by BGS (The Bluegrass Situation)Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods
About Toy Heart with Tom Power (A Podcast About Bluegrass)
CBC radio host Tom Power ("q") and BGS (The Bluegrass Situation) bring you the most in-depth podcast about the origins of bluegrass ever created. Power sits down with luminaries of the genre such as Del McCoury, Ricky Skaggs, Alice Gerrard, Jesse McReynolds, Jerry Douglas and more for an intimate conversation about their origins within the world of bluegrass music. Episodes will be released bi-weekly on TheBluegrassSituation.com and wherever you get your podcasts.PRODUCED BY: Tom Power and Amy Reitnouer Jacobs / BGSCO-PRODUCED AND EDITED BY: Stephanie ColemanTHEME MUSIC BY: Chris Eldridge and Kristin Andreassen