Patrick Wolf, Part 2: major label versus indie life
This is a free preview of a paid episode. To hear more, visit loudandquiet.substack.comIn the second part of my conversation with Patrick Wolf, the London-born musician who I met at his new home on the east Kent coast looked back at his previous major label record deals that took him from a life of DIY creation to a world where he suddenly had £250k to spend on a music video. What did he make of those days, and how does he feel about returning to music as an independent artist in a new world of hyper-self-marketing and content creation? And then there was the question of new album Crying the Neck, Wolf’s first album in 13 years, and a punchy closer: is he happy with his career so far? Typically, he answered that one with the same candour that ran through our entire time together.
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Patrick Wolf, Part 1: a new life by the sea
Patrick Wolf is making his return to music after a 13-year period that you wouldn’t wish upon anyone. Since his last album in 2012, he’s experienced grief following the loss of his mother to cancer in 2018, battled addiction to alcohol and hard drugs, been declared bankrupt, and was the victim of a hit and run.When I spoke to him last week for this two-part episode of the podcast, I was struck by how he takes responsibility for all of it. Even being hit by a car.Thank you to Patrick for being so open during our conversation, which took place in his garden studio in east Kent. We spoke for so long that I’ve chopped it into parts one and two, starting off with how the past 13 years have been, and how he got through it by building a new life for himself near the coastal town of Ramsgate, inspired by an Alan Bennett film.Subscribe/upgrade to a paid subscription to unlock all L&Q podcasts, including the unedited part two of this episode that will be out next week.Listen on the Substack site or app, or search Loud And Quiet Podcast wherever you get The Rest is Politics. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit loudandquiet.substack.com/subscribe
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Amyl and the Sniffers' Amy Taylor rapping 'Ice Ice Baby', aged 16
This is a free preview of a paid episode. To hear more, visit loudandquiet.substack.comBoring fact: We originally started this Substack in 2020 solely as a place to host a subscriber-only podcast called Sweet 16, exclusively for readers who’d subscribed to our physical magazine during the pandemic. Each episode features a different artist recalling what the hell they were doing at the age of 16, inspired by a column of hopes, dreams and PTSD we used to run in the magazine. Somewhere along the line 2 episodes dropped off, hosted somewhere else for reasons that are too boring even for this. One was with Stephen Malkmus and the other was with Amy Taylor from Australian garage punk band Amyl & the Sniffers. It’s time these 2 stragglers were united with the rest of the pack, so here’s Amy’s episode, with a bit of extra blabbing from me.
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Breaking up the band, with Porridge Radio
This is a free preview of a paid episode. To hear more, visit loudandquiet.substack.comWhen Porridge Radio announced that their new EP would also be their final release, following 4 albums and a 2020 Mercury Prize nomination, my first thought wasn’t ‘why?’ but ‘I wonder how that must feel?’. Followed shortly by, ‘what was Dana Margolin’s career highlight?’, and ‘should more bands split up at a point when their fans feel like they’ve still got more to give?’Last week Dana agreed to talk to me about the end of her band, having originally decided that it was too soon to discuss the matter.
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Welcome to the new L&Q podcast
A short introduction to the new Loud And Quiet podcast, from the dazzling music experts that brought you Midnight Chats This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit loudandquiet.substack.com/subscribe
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