New Books in European Politics

In this episode, I speak with Dr Amy King of Bristol University about her book, The Afterlife of a Fascist Murder: Giacomo Matteotti in Myth and Memory, 1924–2024, published by Cambridge University Press in 2026.
The year 2024 marked a century since socialist leader Giacomo Matteotti's assassination. Widely commemorated in Italy, he's often remembered within a national narrative of antifascist resistance. But how was this narrative built and how has the far right responded? This Element traces the construction and mobilisation of Matteotti's memory over the last century, analysing the role of grief in the early antifascist movement, and identifying the role memory played in bringing together Allies, partisans and political parties during the construction of the democratic Republic. Based on primary sources from international archives, it also adds a transnational lens to the study of a figure so often thought of in national terms. The Element closes by examining how far-right parties whose lineage traces back to Mussolini's regime have engaged with the afterlife of a man whose murder is an evergreen reminder of the centrality of violence to Fascism in its earliest days.
Dr. Amy King is a Senior Lecturer in Modern European History at the University of Bristol, UK. She is the author of The Politics of Sacrifice: Remembering Italy’s Rogo di Primavalle, which examines the memory of a 1973 arson attack on a far-right family in Rome during the Years of Lead. The book won the First Book Prize from the American Association for Italian Studies in 2024 and was published in Italian by Donzelli last year.
Chris Millington is Professor of Modern European History and lead of the Histories and Cultures of Conflict research group at Manchester Metropolitan University, UK. He is the author of eight books including Murder in Marseille: Right-Wing Terrorism in 1930s Europe ((Manchester University Press, 2025), The Invention of Terrorism in France, 1904-1939 (Stanford University press, 2023), and France in the Second World War Collaboration, Resistance, Holocaust, Empire (Bloomsbury Academic, 2020).

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Arts of the Border: Fugitive Bodies at Europe’s Edges (Fordham, 2025) investigates the consequences of unfolding catastrophes across the world and the displacement they continue to produce. Through recent narratives and media representations of the refugee “crisis” at Europe’s edges, it tells a new story about those on the move, the technologies unleashed on them at borders, the racialized and colonial histories that inform these technologies, and the artistry with which migrants and allies bear witness to displacement. The book reorients us toward the creativity and movement of migrants themselves– their “arts of the border”—as well as toward the political force of the arts that represent them, whether in literature, documentary film, or art installations. Sanyal proposes kino-aesthetics as a framework for capture and fugitivity at borders. From kino—to set in motion—and aesthetics— relating to sensory perception—kino-aesthetics conveys the force of bodies in motion and the image in its circulation. The book examines the simultaneity of capture and escape at thresholds of illegalization, from airport detention zones to Calais’s “jungle” and the Euro-African border at Ceuta and Melilla. What emerges throughout these case studies is a portrayal of border violence in its racial and colonial forms as well as an archive of refusal, fugitivity, and un-bordered imagining.

Guest Debarati Sanyal is Professor of French, Director of the Center for Interdisciplinary Critical Inquiry, and currently holds the Zaffaroni Family Chair of Undergraduate Education. Affiliated with the Designated Emphasis in Critical Theory, the Berkeley Interdisciplinary Migration Initiative, the Center for Race and Gender, and the Institute of European Studies, her teaching and research interests span 19th -21st-century French and Francophone literature, memory studies, aesthetics and bio/necropolitics, critical human rights and refugee studies. She is a recipient of the UC Berkeley Distinguished Teaching Award (2012) and a Guggenheim Fellowship (2021-2022). She is currently co-PI on the Mellon-funded A Counter-Imaginary in Authoritarian Times (2024-2027). Besides Arts of the Border, Dr. Sanyal has authored Memory and Complicity: Migrations of Holocaust Remembrance (Fordham, 2015), translated into French as Mémoire et Complicité: Au Prisme de la Shoah (PUV, 2019); and The Violence of Modernity: Baudelaire, Irony and the Politics of Form (Johns Hopkins, 2006). She has guest-edited “Time and Politics in Contemporary Critique: Entanglements and Aftermaths” (Critical Times, 2018), ha also co-edited, with Éric Fassin, Demos Anxiety: Genealogies, Rhetorics, and Politics of Great Replacement (forthcoming in Patterns of Prejudice); with Damon Young and Mario Telò, Proximities: Reading with Judith Butler (Representations 2022), and, with Michael Rothberg and Max Silverman, Noeuds de mémoire: Multidirectional Memory in Postwar French and Francophone Culture (Yale French Studies 118-119).

Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Their monograph Posthumanist Ecology in Global French Surrealism is forthcoming in 2027 from Northwestern University Press.

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Democracy or Carbon Oligarchy?: Climate and Energy Politics between Crisis and Decarbonization (Palgrave Macmillan, 2026) tackles a critical question. Why has the world struggled so much to coordinate policy to address climate change, despite political and scientific consensus? Despite landmark agreements and expanding knowledge, emissions have fallen unevenly and progress has repeatedly stalled or reversed. Democracy or Carbon Oligarchy? explains that failure by focusing on domestic politics: how institutions distribute power, how interest groups exploit “access points,” and why countries with similar wealth and technology diverge. Moving beyond arguments about mere political will, it situates energy and climate outcomes within the institutional architectures of industrialized oil super-producers: the United States, Canada, the United Kingdom, and Norway. Shum advances a neopluralist theory of climate politics, arguing that policy is shaped by the strategic capture of institutional venues by carbon-intensive interests. He shows how separation of powers, federalism, party systems, and electoral rules configure opportunities for a de facto carbon oligarchy. By mapping where binding decisions are made and who can reach them, the book offers a generalizable framework for diagnosing blockages, explaining cross-national variation, and identifying leverage points for sustaining ambitious climate policy over time.

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Our conversation focuses on a groundbreaking article by Dan Storyev recently published in The Nation: “Millions of Ukrainian Men Are Fleeing a Cruel Conscription System.” Storyev was on the ground in Odesa to report firsthand for this piece, drawing on encounters with Ukrainian men in flight from the officers of the Ukrainian state agency, known as TCR, in charge of mobilizing fighting-age men for the war in Ukraine against Russia’s invading army. It’s an important story, yet one, as he told me, that few outlets in the Western press want to publish. And as we note, Russia also is experiencing great difficulties in conscripting men for this war. Storyev is a Russian-American writer and the co-author, with Maria Kuznetsova, of the forthcoming book How to Survive Authoritarianism: A Russian’s Phrasebook for Everyday Live in America (W.W. Norton), to be published in September.

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Holocaust distortion in Poland involves reshaping or minimizing facts about the Holocaust, often emphasizing Polish victimhood while obscuring instances of local collaboration, participation, or indifference. It appears in political rhetoric, memory laws, public commemorations, and attacks on critical scholarship. YIVO’s Poland vs. Holocaust History series examines these dynamics and situates the Polish case within a broader European context.

Elżbieta Janicka focuses on the case of the former German Nazi death camp Treblinka, the place of murder and (un)rest of nearly one million Jews from several European countries, the majority from Poland. While keeping in mind that “Treblinka” is as an umbrella term for the forced labor camp Treblinka I (1941-1944), the extermination camp Treblinka II (1942-1943), and a railway station at Treblinka the village, Janicka examines symbolic topography, such as the symbols and narratives that are imprinted into these sites under the auspices of the Treblinka Museum. Regarding the unrestricted Polish bottom-up and top-down fight to “conquer the space” of the Holocaust and make it symbolically profitable for Poland, Janicka raises the question: Why doesn’t the present Polish strategy of “promoting Polish martyrdom upon the Jewish one” trigger an international scandal and condemnation?

Janicka argues that while Polish cultural institutions do not deny the Holocaust itself, they practice a form of denialism by obscuring the reality of Polish involvement in the Holocaust. This lecture fits into a broader debate about Polish public institutions that promote a counter-history of the Holocaust and have at their disposal extraordinary means of propaganda both within Poland and abroad.

This lecture originally took place on February 19, 2026.

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