Songwriter Soup

Producer and songwriter Gabe Simon (“Stick Season” Noah Kahan, “Blue Banisters” Lana Del Ray, “The Man That Came Back” Jessie Murph) shares his journey from driving Uber while on a publishing deal to producing career-defining records for Noah Kahan, Dermot Kennedy, and Lana Del Rey. This conversation explores the financial realities of the music business, the importance of community over competition, and how to build sustainable creative careers. Gabe and the crew delve into some new topics for Songwriter Soup, hope you enjoy.
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Trio de Songwriter Soup delve into art/business relationships and more on today’s episode. When it comes to a songwriter’s relationship with an artist, what is loyalty exactly? Is it a good thing? Is it a bad thing?
Man, it sure can get tricky as people come and go (and come and go again). Holding too tightly and/or getting one’s feelings hurt can do damage, internally and externally. Let’s talk about it! But wait, are we even talking about songwriting? Totally.
Are we talking about EVERYTHING? Perhaps? Either way, hope it helps!
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Dave Cohen (“Pray Hard”BigXThaPlug & Luke Combs, “Home” BigXThaPlug & Shaboozey, “Good Day For Living” Joe Nichols) is a previously full time touring musician, 5-time Academy of Country Music and 6-time Music Row Award-winning producer and multi-instrumentalist who pivoted to songwriting in recent years.
There is so much to learn from Dave regarding expanding your toolbox, being a good collaborator and hang, and understanding those subtle hints that are pulling you towards a career path tweak.
This episode covers the ever elusive music row imposter syndrome along with other music maker challenges, and how to treat the next generation better than the previous generation treated you. Enjoy this episode!

Watch Dave's episode on YouTube: https://youtu.be/k4qSLGVzApM
Listen to songs Dave's played on: https://music.apple.com/us/playlist/dave-cohen-the-session-musicians/pl.fc1ef8b91a354a8aa76bb694b6242703
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This week the crew is joined by ABSOLUTE LEGEND, artist and GRAMMY-winning songwriter Natalie Hemby (Kacey Musgraves "Rainbow", Miranda Lambert "White Liar", Little Big Town "Pontoon").
The crew dives into that [very real] post-number-one depression, choosing family over touring, and getting pigeonholed as a songwriter. Natalie also shares the story of passing up writing "Shallow" with Lady Gaga and how she may be the only artist who doesn't want her own music to be "too successful".
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Alysa Vanderheym (Rolling Up The Welcome Mat & Patterns Kelsea Ballerini, “Lose Somebody” Kygo & OneRepublic, “Hold On Me” Jelly Roll) gets into some big fat topics on the pod this week.
The discussion covers craftsmanship, critical acclaim and the risks and advantages of artists who veer away from the radio and towards a finer art.
The juiciest part of this episode BY FAR is when the crew talks about points, fees, the risk of sending around your production stems, and how easily songwriters get blacklisted for asking for things like participation in income streams aside from copyright royalties.
This episode is chock full of sensitive and delicate topics, ones you’ll want to know more about before you’re in the middle of these dramas yourself.
Knowing is truly half the battle, so let’s educate ourselves, kids!
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