The Strange Brew - artist stories behind the greatest music ever recorded

Over fifty years ago, a teenager from Cleveland got talked into playing “Maggot Brain” at an after party, and soon after he was on stage with Parliament-Funkadelic. Michael Hampton, known as Kidd Funkadelic, joins us to tell that story properly, and to go through everything that’s followed it: five decades inside one of the wildest bands in American music, a run of guitar solos that hip-hop built entire records on, and his new solo project, the King Kong mini album.

We start with King Kong itself: how a nearly hundred year old story about a giant ape ended up as an instrumental record moving between rock, jazz and spoken narration, and how loosely the whole thing came together. From there we go right back to the beginning: the guitarists who shaped him growing up in Cleveland, the after party where he first played for the band, and the call from drummer Tiki Fulwood that got him on a plane to Landover, Maryland, a fortnight later. Michael talks me through what recording with Parliament-Funkadelic was like, how songs like “Adolescent Funk” and “Who Says a Funk Band Can’t Play Rock?” earned him a writing credit, what he thinks George Clinton’s real gift was, and how he feels about hip-hop having sampled his solos for the past forty years.

Further information

King Kong is out now. Get it direct from Michael’s Bandcamp

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Podcasts also available: Eddy Grant, Lynval Golding – The Specials, John Mayall, Sananda Maitreya

This podcast is also available on Apple Podcasts, Spotify, YouTube, Google apps and all usual platforms

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Eric Barrett spent two years, from 1968 to 1970, as Jimi Hendrix’s road manager and one of the few people the guitarist trusted. In this conversation with Jason Barnard, Barrett talks in a rare interview about his new memoir Experienced: On the Road with Jimi Hendrix and Beyond.

Barrett explains how a job roadying for The Koobas led him from the Beatles’ final UK tour to Keith Emerson’s stage antics with The Nice, and eventually to a chaotic gig in Rome that almost saw him walk away from Hendrix. He describes the two sides of the man he worked for: the guitarist who tore up stages, and the quiet, almost shy man backstage who didn’t see himself as a genius.

There’s a lot here that hasn’t been told before. The racism Hendrix faced touring the American South. The night in Denver when tear gas broke up the show and ended the Experience. The split trousers at the Isle of Wight Festival, patched with a safety pin while Barrett vamped on guitar to cover the gap. And the grim job, after Hendrix’s death, of boxing up his belongings in two countries.

Barrett went on to work with James Taylor, David Bowie and Madonna and many other artists. He also describes the moment he told Bowie the sound at a Diamond Dogs rehearsal wasn’t good enough, and ended up later collaborating with Bowie on his all white stage lighting.

Further information

Experienced: On the Road with Jimi Hendrix and Beyond by Eric Barrett with Lawrence Robinson is out now

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Watch the video version

Podcasts also available: Peter Asher, Carlos Alomar, Fresh Cream Revisited with Malcolm Bruce, Melanie, Leo Lyons – Ten Years After

This podcast is also available on Apple Podcasts, Spotify, YouTube, Google apps and all usual platforms

The post Jimi Hendrix Didn’t Know He Was a Genius – Eric Barrett appeared first on The Strange Brew .

Graham Parker didn’t get a record deal until he was 24, having worked in a rubber glove factory and picked tomatoes in Guernsey before that. Fifty years on, he’s still telling those stories the way he always has, with honesty – straight and funny. Recorded live at The Cat Club on 26 March 2026, Jason Barnard talks with Parker about Nick Lowe producing Howlin’ Wind, the ruined tape that forced a week-long rework of Stick to Me, and Bob Dylan telling him after a set that he loved ‘Don’t Ask Me Questions.’ In this extensive interview, Parker also talks about breaking up the Rumour, the accidental reunion decades later, and being getting cast in Judd Apatow’s This Is 40.

Further information

grahamparker.net

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Podcasts also available: Graham Parker on Howlin’ Wind, Brinsley Schwarz, Billy Bragg, Glen Matlock – in conversation, Bruce Thomas

This podcast is also available on Apple Podcasts, Spotify, YouTube, Google apps and all usual platforms

The post Graham Parker – In Conversation appeared first on The Strange Brew .

George Bunnell, Mark Weitz, Howie Anderson, Gene Gunnels and Randy Seol discuss the history of Strawberry Alarm Clock. They cover the writing and recording of their 1967 number one single Incense and Peppermints, reuniting and making their new album, Where’s One? Sixty years on they continue to release new material that carries the sound and spirit of the psychedelic era.

Further information

Strawberry Alarm Clock website

Big Stir Records

Strawberry Alarm Clock podcast tracks

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Podcasts also available: Russ Giguere – The Association, Michelle Phillips – The Mamas & The Papas, Michael Fennelly – The Millennium, Crabby Appleton, Mark Andes – Spirit, Heart

This podcast is also available on Apple Podcasts, Spotify, YouTube, Google apps and all usual platforms

The post Strawberry Alarm Clock appeared first on The Strange Brew .

The Iveys came together in Swansea in the early 1960s, with Ron Griffiths on bass alongside guitarist Pete Ham. Bill Collins took over as manager, and it was during their residency at the Marquee that Beatles aide Mal Evans caught their set and carried a demo tape to Apple. Live tapes, and dozens of demos have since been unearthed from the Golders Green house where they wrote and rehearsed.

Ray Davies also took an interest and recorded a handful of their songs. Tony Visconti also produced, including Ron’s ‘Dear Angie.’ For Badfinger’s ‘Come and Get It’ Paul McCartney read an interview where Ron complained the group got nothing from The Beatles, turned up at Golders Green with a demo, and told them to copy it exactly, no changes, this is the hit. At Abbey Road with McCartney producing, it was Ron who broke the rule with a Hendrix style bass run at the end of the take. McCartney kept it in. Not long after, a domestic row over late night noise waking his baby got Ron dropped from the group, right on the cusp of its biggest success. The tapes and demos have kept surfacing, and he’s now back on lead vocals for ‘Take Good Care of My Baby’ on the new album Just Look Inside The Cover – Songs of Pete Ham.

Further information

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Ron Griffiths podcast tracks

Podcasts also available: Bob Jackson – Badfinger, Joey Molland – Badfinger, The Beatles and Apple, Tony Waddington, Almost Beatles Songs

This podcast is also available on Apple Podcasts, Spotify, YouTube, Google apps and all usual platforms

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