CD Burners

On this episode of CD Burners, we're joined by filmmaker Jeff Ryan to dive into his new movie Mooch, a chaotic indie comedy inspired by Emo Nite and the music we all grew up on. Jeff breaks down how a random DM to Underoath's Aaron Gillespie turned into an entire original soundtrack, how his love for bands like Senses Fail, The Starting Line, and Saves the Day influenced the film, and what it actually takes to write, direct, edit, and star in your own movie. We also get into the insanity of independent filmmaking, working with actors from Gilmore Girls, the art of rage-bait marketing, and why making a movie might be the most ridiculous thing anyone can willingly put themselves through. Hosted on Acast. See acast.com/privacy for more information.

This week on CD Burners, we're joined by A Heartwell Ending for their FIRST interview in nearly two decades, and the story behind their unexpected comeback is actually insane. After disappearing from the MySpace scene, the band reunited for the first time in 16 years only to discover they had over 700,000 monthly Spotify listeners and a whole new generation of fans bringing their music back to life. We get into how their songs blew up on TikTok without them even knowing, touring with early A Day To Remember and We The Kings, and the shocking discovery that someone had claimed their Spotify account using a deceased band member's identity. Plus, they reveal what really happened to the band, the mystery surrounding their missing streaming royalties, and their plans to finally make new music after all these years. From forgotten MySpace demos to an unexpected second chance, this might be one of the wildest comeback stories in emo history. Hosted on Acast. See acast.com/privacy for more information.

This week on CD Burners, we’re diving into Avril Lavigne’s The Best Damn Thing with special guest Scheana Marie, who grew up obsessed with Avril and credits her as one of her earliest musical inspirations. We break down the album’s bratty, cheerleader-fueled pop-punk energy, why “Girlfriend” might be the ultimate Avril song, and how an album full of “you suck, I’m hot, I’ll be fine” breakup anthems somehow still makes room for some of her most vulnerable moments. Scheana talks about channeling Avril into her own music, performing “Girlfriend” at Emo Nite, and why the album reminds her of reality TV with every emotion turned all the way up. Plus, we get into Travis Barker playing on the record, “Girlfriend” allegedly being written in two minutes, Avril’s wildest rumors, Scheana’s Jonas Brothers era, and plenty of Vanderpump Rules lore along the way. Hosted on Acast. See acast.com/privacy for more information.

This week on CD Burners, we’re diving into mgk's Tickets to My Downfall with special guest Huddy, who has a pretty wild connection to the album: after listening to it every day and using it as inspiration to pursue alternative music himself, MGK randomly DMed him and cast him in Downfalls High. We get into why Tickets to My Downfall became one of the most polarizing pop-punk albums of its era, whether MGK deserves more credit for what he brought to the genre, and why Huddy thinks the record was misunderstood from the beginning. Plus, Huddy takes us behind the scenes of making Downfalls High, reveals an unexpected moment with Sydney Sweeney, talks about finding his own sound through MGK's influence, and opens up about leaving the major-label system to independently release his new music. Hosted on Acast. See acast.com/privacy for more information.

This week on CD Burners, we’re diving into Scary Kids Scaring Kids’ The City Sleeps in Flames with special guest Ray Hawthorne. We break down why this album feels like a time capsule of 2005 post-hardcore, how Scary Kids seamlessly worked synths into their sound before seemingly every band had a keyboard player, and why discovering them at the right age could completely change your taste in music. Ray tells us how Scary Kids became one of his first introductions to post-hardcore, inspired his high-school band to literally get a synth player, and eventually led to him making music with Scary Kids keyboardist Pouyan Afkary years later. Plus, we get into MySpace-era band names, LimeWire mishaps, the band's legacy after the tragic loss of Tyson Stevens, Ray almost walking away from music, and how some of his biggest songs were recorded in a makeshift vocal booth built inside his Burbank bathroom. Hosted on Acast. See acast.com/privacy for more information.