Standard Issue Podcast

A space mission that passed the Bechdel test? There’s never been such times! Mick needed no further prompting to get NASA’s finest, Dr Suze Kundu, on the Zoom to chat about bright spot amid the gloom: Artemis II. And not content with that being a feel-good story for the ages, Suze came armed with some other women-centred tales of joy in STEM. 

As ever, there’s extra chat for our £5 patreons. And so if you want to know a bit more on how positive this mission has been for women in STEM, learn what’s next for Artemis and hear Suze crying at Carroll the lunar crater, visit patreon.com/standardissue.
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After being raised by parents with addictions, professor of psychology at Maynooth University, Katriona O’Sullivan turned her experiences into bestselling non-fiction book Poor. Her follow-up, Hungry: A Biography of My Body, explores how poverty, and the sexual abuse she endured as a child, have shaped her relationship with her body.

Jen chats to Katriona about the vulnerability of neglected children and the adults they grow up to be, and the harm caused by society’s obsession with women shrinking themselves.

Help and support is available for survivors of all types of childhood abuse, via the National Association for People Abused in Childhood.

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Shih-Ching Tsou’s debut feature film caused a stir at Cannes, and tickled many a reviewer’s pickle, but flew under the radar when it landed on Netflix last November. A shame for many reasons, not least because it’s by a woman about women, as the iPhone camera tracks single mum Shu-Fen, and her two daughters – five-year-old I-Jing and university-aged I-Ann – as they try to make a fresh start in their home city of Taipei. What will Yosra and Hannah make of this refreshingly wang-light pick from Mick?
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Everything is totally normal in America, right? This week, special guest Helen Lewis stops by to talk to Hannah about Trump's war, Hegseth's row with the Pope, AI doom-mongering, the US at 250, and other assorted insanity. Who you gonna call? No really, who?

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Harry Elfont and Deborah Kaplan’s teen musical comedy gave a well-deserved ribbing to the advertising and music execs of the early ‘00s, as well as teen culture in general. But at what point does this satire become part of the problem? Shall we ask Tara Reid? And what were they putting in Sunny Delight in the late ‘90s?

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