Tablet Studios

Today on Jewish Studies Unscrolled, we explore the history and evolution of “Rozhinkes mit Mandlen” (Raisins and Almonds), the iconic Yiddish lullaby written by Avrom Goldfaden for his 1880 operetta Shulamis. Our guest, Pulitzer Prize finalist Alex Weiser, Director of Public Programs at the YIVO Institute for Jewish Research, joins us to discuss the song’s transformation from its original folk origins in the rendition, “Unter dem Kinds Vigele” (Under the Child’s Cradle), to a theatrical centerpiece, as well as its lasting influence on Jewish music. Beginning with a field recording by the folklorist Ruth Rubin, we discuss how this simple lullaby inspired classical compositions by Lazare Saminsky, Joseph Achron, Stefan Volpe, and Judith Shatin.

Today on Jewish Studies Unscrolled, we delve into a rare cultural intersection: Jewish life and the genre of horror. While Jewish contributions to American culture often focus on comedy, literature, or music, horror remains largely unexplored, even by prominent Jewish filmmakers. We’re joined by Jeremy Dauber, Columbia University professor and author of American Scary: A History of Horror from Salem to Stephen King and Beyond. Together, we examine Sidney Lumet’s 1964 film The Pawnbroker as a rare exception, highlighting its haunting depiction of Holocaust survivor Sol Nazerman’s trauma, particularly through the “thin place” of the subway—a space where the present collides with the horrors of the past.  You can watch the subway scene we discuss here.

Today on Jewish Studies Unscrolled, we dive into the fascinating world of kvitlekh—19th-century petitions addressed to Rabbi Elijah Guttmacher, a misnagdic rabbi whose miracle-working reputation drew thousands of supplicants. Discovered in a Polish attic in 1932 and preserved by the YIVO Institute, these handwritten pleas offer vivid, if fragmentary, snapshots of Jewish life in Eastern Europe, revealing stories of financial struggles, illness, and family crises. Glenn Dynner, historian and author of The Light of Learning: Hasidism in Poland on the Eve of the Holocaust, joins us to share how he has teased history from these tantalizingly incomplete records.

Today on Jewish Studies Unscrolled, we talk about Bruce Springsteen and his iconic song “Thunder Road.” While Springsteen himself isn’t Jewish, this song, and his songwriting in general, invites reflections on themes central to Jewish life: tradition, leaving home, and coming back again. We’re joined by noted Bruce fans, Park Avenue Synagogue rabbis Elliot Cosgrove and Neil Zuckerman. Drawing on their personal connections to the song and their shared journey through rabbinical training, Cosgrove and Zuckerman unpack the spiritual resonance of Springsteen’s work, asking why certain texts—whether Torah or rock lyrics—speak to us anew across the decades.  You can buy Rabbi Cosgrove’s book, For Such a Time as This: On Being Jewish Today, here.