Left of the Projector

• Twin Peaks: Fire Walk with Me (1992) with Jonathan Kennedy

  In this episode of Left of the Projector, I explore David Lynch's film, Twin Peaks: Fire Walk With Me, a prequel that examines the tragic story of Laura Palmer leading up to her death. Joined by filmmaker John Kennedy, we delve into Lynch's unique approach that blends psychological horror with human connection, examining the complex layers of trauma and abuse within Laura's character. Our conversation highlights how this film diverges from the series, revealing darker undertones and intricate symbolism. We analyze pivotal scenes, the impact of character dynamics, and the cultural commentary within the narrative, ultimately celebrating Lynch’s artistry in weaving horror, nostalgia, and identity into a compelling exploration of the human condition.Jonathan KennedyIG: https://www.instagram.com/getradifiedhttps://jonkennedy.net/https://www.threads.net/@getradifiedLeft of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

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• [Best of LotP]: The Hunger Games (Trilogy) with Hungry Rye and Rob

  Back again with another Best ofLeft of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

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  1:41:29
• Gattaca (1997) with Why We Roll podcast

  In this episode, we analyze the 1997 sci-fi film Gattaca, directed by Andrew Niccol, alongside Wythe Marshall and Chris Pickett from the "Why We Roll" podcast. We examine the film's portrayal of a future shaped by genetic engineering and social stratification, contrasting 'valids' and 'in-valids' in a society that discriminates based on genetics. Our discussion highlights the film's casting choices and the moral ambivalence surrounding its individualistic narrative, embodied by Vincent's journey to overcome systemic barriers. We also reflect on the film's aesthetic and its critique of reliance on genetics, acknowledging its limitations in addressing classism. Why We Rollhttps://stillfleet.comhttp://stillfleet.com/danse https://bsky.app/profile/stillfleet.bsky.socialhttps://www.instagram.com/timespace.placeLeft of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

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  1:42:53
• [Best of LotP]: Sorry to Bother You (2018)

  Part 3 of best of LotP is Boots Riley's biting satire Sorry to Bother You. Sadly, we aren't that far from this reality. Workers of the world unite.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

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  1:04:41
• Kindergarten Cop (1991)

  We take you back to the 90's and the era of tough guys in sweet roles.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

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  1:08:11

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