Stealth Boom Boom | A Stealth Video Games Podcast

• Deus Ex Review | Active Augmentations, Stealth Exploration, A Reactive World

  In the late 90s, John Romero convinced Warren Spector to join his studio in order to make the game of his dreams. This game was something Spector had been thinking about since 1993. It had a couple of names over the years – Troubleshooter being one, and Shooter: Majestic Revelations being another – but one thing remained the same: it was ambitious. We’re going back to 2000 to take a look at a first-person shooter, that is also a stealth game, that is also an RPG – so I guess we can call this one an immersive sim. We’re talking Deus ExOn this episode of Stealth Boom Boom, we chat a little bit about Ion Storm’s origins, Daikatana, and how one developer was going to make you his bitch. We also look at how that Dallas attitude affected Austin, the difficulty in marketing a game that’s quite different to everything else out there, how being a pacifist is okay actually, and how single player games are not dead.Here are some of the things you’re gonna hear us chat about in our review: the Revision mod; stealth systems that are reliable, but working underneath, meaning you have to mostly go on vibes; being seen is just part of your story rather than failure; THE QUICK SAVE; looking at every possible route to sneakily get around the world; the glorious lockpicking waggle; the invisibility cloak; weak small arms for those that want to kill quietly; the beast riot prod and the even beaster lightsaber Dragon’s Tooth sword; permanent a/b choices that really make you think about your build; draining bioenergy; remembering to turn off your augmentations; TORCH EYES; the GEP gun, the LAM, and all of this game’s wonderfully silly explosive weapons; managing the Resident Evil style inventory; boss encounters that don’t betray the game; kill phrases; your first encounter with the NSF on Liberty Island; buying drinks in Hong Kong’s Lucky Money club; conspiracy theories now vs conspiracy theories then; predictions that have come to pass (and others that have not); changing the course of its plot and how characters react to your actions and decisions in ways that never stop being brilliant; and that absolute stone cold classic of a theme song.After all that, we take you through what some of the critics were saying about the game around the time it came out, and then we give you our final verdicts on whether Deus Ex is a Pass, a Play, or an Espionage Explosion.For those who would like to play along at home, we'll be discussing, reviewing and dissecting Ghost of Tsushima on the next episode of Stealth Boom Boom.IMPORTANT LINKS TO THINGS🎧 Subscribe to Stealth Boom Boom🌤️ Stealth Boom Boom on Bluesky🐦Stealth Boom Boom on Twitter Hosted on Acast. See acast.com/privacy for more information.

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• Batman Begins Review | Arkham Prototype, Scaring Goons, Acrobatic Gremlin

  In 2005, filmmaker Christopher Nolan was about to become mainstream with the first movie in his superhero trilogy. Meanwhile, a group of developers in Derby were working on a video game tie-in for said movie that wouldn’t turn out to be quite as popular. We’re taking a look at an action adventure game that was neither a precursor to a game based on The Dark Knight, nor The Dark Knight Returns. We’re talking Batman Begins.On this episode of Stealth Boom Boom, we chat a little bit about trailers that feature Batman smiling, Trailer Voice Man, and Phoenix International. We also look at how important it was for this to be an interactive version of the movie in almost every way, as well as a cavalcade of celebs: a disinterested Morgan Freeman, a bloodthirsty Cillian Murphy, anbemused Michael Caine, and a Christian Bale that thinks all this video game stuff is a complete waste of time.Here are some of the things you’re gonna hear us chat about in our review: the first glimpses of many things that would become staples in the Arkham games; instilling fear in your enemies by interacting with very specific parts of the environment; goons dropping their guns when they’re scared; the optic cable from Splinter Cell; an exceptionally violent inverted takedown; familiar punching and kicking, as performed by a more acrobatic, yet less fluid Batman; the weird context-sensitive special move thing; NO BATARANG BUSINESS; climbing things with 70% arm and 30% leg; bonus Game Boy Advance opinions; a lack of yellow paint; training in the Himalayas; driving the tumbler around Gotham like it’s a Burnout game; dingy rooms illuminated by beams of light coming through blinds; restrictions vs limitations; being rewarded(?) with clips from the film in between levels; odd differences in the narrative; Gary Oldman’s absence; and a lockpicking minigame that’s the same every single time.After all that, we take you through what some of the critics were saying about the game around the time it came out, and then we give you our final verdicts on whether Batman Begins is a Pass, a Play, or an Espionage Explosion.For those who would like to play along at home, we'll be discussing, reviewing and dissecting Deus Ex on the next episode of Stealth Boom Boom.IMPORTANT LINKS TO THINGS🎧 Subscribe to Stealth Boom Boom🌤️ Stealth Boom Boom on Bluesky🐦Stealth Boom Boom on Twitter Hosted on Acast. See acast.com/privacy for more information.

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• Haunting Ground Review | Dog Bonding, Dark Themes, Dodging Pursuers

  Imagine a game so successful that during the making of it, you actually end up coming up with three games. That’s what Capcom did when they were prototyping Resident Evil 4. They got that, they got Devil May Cry and they also got the game we’re talking about on this podcast. We’re going back to 2005 to take a look at a survival horror that didn’t get quite as many sequels as those other series just mentioned. We’re talking Haunting Ground.On this episode of Stealth Boom Boom, we chat a little bit about the much better Japanese name of DEMENTO, as well as a tagline that Josh likes and doesn’t like at all. We also look at a trailer with a lot of slobbering and panting, their reasons for including a dog, and mo-capping said dog.Here are some of the things you’re gonna hear us chat about in our review: being reactive after you are definitely spotted by one of your pursuers; hiding under beds, inside wardrobes, and behind doors; Alien: Isolation; a distinct lack of fear; special hiding spots; Hewie the attack dog; fairy earrings; the sound of vase-breaking vs dog-barking; how much your bond with your pooch; German Shepherd-sized holes; some real headscratchers of puzzles; some of the flattest boss fights; shoddy glowing fireflies; Resi 4 comparisons; nice-looking maps that are a bit hard to read; a story with some heavy sexual themes, delivered through some ludicrous characters and dialogue; Manhunt; the strangely calm Fiona Belli; setting the scene via static camera angles; the looks of a late PS2 game; and a wonderful lack of loading screens. After all that, we take you through what some of the critics were saying about the game around the time it came out, and then we give you our final verdicts on whether Haunting Ground is a Pass, a Play, or an Espionage Explosion.For those who would like to play along at home, we'll be discussing, reviewing and dissecting Batman Begins on the next episode of Stealth Boom Boom.IMPORTANT LINKS TO THINGS🎧 Subscribe to Stealth Boom Boom🌤️ Stealth Boom Boom on Bluesky🐦Stealth Boom Boom on Twitter Hosted on Acast. See acast.com/privacy for more information.

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• Invisible, Inc. Review | Risk vs Reward, Incognita, The Slow Chase

  After the launch of Don’t Starve, Canadian developer Klei Entertainment was on solid ground in every way. They’d put their hand to many genres and had been successful in pretty much all of them. We’re going back to 2015 (or 2013, if you want to include this game’s EARLY early access launch) when they revisited sneaking, but put a different spin on what they’d done before. We’re talking Invisible, Inc.On this episode of Stealth Boom Boom, we chat a little bit about why this game changed its name, and what stealthy aspects they could explore here that they didn’t in Mark of the Ninja. We also look at trying to enjoy the journey in difficult games, rather than just seeking the reward; and we chat about how much we enjoy early access vs its importance to devs. Here are some of the things you’re gonna hear us chat about in our review: Soliton Radar: The Game; red, yellow, and blue EVERYWHERE; peeking around corners to uncover more of the map; Monaco: What’s Yours Is Mine; a camera you don’t have full control of; a procedurally-generated table that’s just in the way; a slow and exhilarating chase; forecasting the movement of guards; five rewinds; single malt; the wonderfully-balanced and easy-to-use Incognita; Gunpoint; collections of boxy rooms with samey heists that blur together; finding the exit and then deciding what to do next; 72 hours; the auto thump; a ever-rising security level; Metal Gear Acid; breaking your pal out of their cell; an entirely irrelevant plot; some colour in character bios; and generating a campaign where a ko'd enemy stays down for 100 turns.After all that, we take you through what some of the critics were saying about the game around the time it came out, and then we give you our final verdicts on whether Invisible, Inc. is a Pass, a Play, or an Espionage Explosion.For those who would like to play along at home, we'll be discussing, reviewing and dissecting Haunting Ground. on the next episode of Stealth Boom Boom.IMPORTANT LINKS TO THINGS🎧 Subscribe to Stealth Boom Boom🌤️ Stealth Boom Boom on Bluesky🐦Stealth Boom Boom on Twitter Hosted on Acast. See acast.com/privacy for more information.

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• Metal Gear Acid Review | Card Battles, Withholding Info, Talking Dolls

  What do you do when you have a brand new handheld console coming out? You turn to a series that is synonymous with your home console. We’re going back to late 2004 (or early 2005… or late 2005, depending on the region you’re in) to look at a turn-based strategy spin-off. We’re talking Metal Gear Acid (or Metal Gear Ac!d, however you’re meant to pronounce that).On this episode of Stealth Boom Boom, we chat a little bit about importing a Japanese PSP as well as an American UMD, and a back of the box for the handheld’s launch window. We also look at how acid dissolves metal, fashionable acid jazz, and Colm does his longest “how does this game play?” bit ever.Here are some of the things you’re gonna hear us chat about in our review: Hitman Go; doing nothing, watching the enemy, and plotting a route; trying to figure out if a gun without a silencer is just as quiet as a gun that does have a silencer; hiding quite important things like how to view the map from an aerial view and how to shoot some weapons; chasing down a guard before the call goes through after he’s spotted you; not enough places to hide and plenty of guards to kill; failure via randomisation (and just deck management, in general); mission-critical cards; Balatro; how cost changes who goes when; controlling Snake AND Teliko; stacking buffs; the power of the XM8; mystifying decisions around movement; a game of Ludo; a story that’s nutty in a slightly different way to regular Metal Gear Solid, but told in a terribly boring way; a dramatic performance; music that’s better than you expect; and the most peculiar in-game adverts. After all that, we take you through what some of the critics were saying about the game around the time it came out, and then we give you our final verdicts on whether Metal Gear Acid is a Pass, a Play, or an Espionage Explosion.For those who would like to play along at home, we'll be discussing, reviewing and dissecting Invisible, Inc. on the next episode of Stealth Boom Boom.IMPORTANT LINKS TO THINGS🎧 Subscribe to Stealth Boom Boom🌤️ Stealth Boom Boom on Bluesky🐦Stealth Boom Boom on Twitter Hosted on Acast. See acast.com/privacy for more information.

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