What Happened Next: a podcast about newish books

My guest on this episode is Katrina Onstad. Katrina is the author of three novels and one non-fiction book. Her books have been nominated for the Giller Prize and a Toronto Book Award. Her journalism, which has won several National Magazine Awards, has appeared in The New York Times Magazine, The Guardian, Toronto Life, Elle, The Globe and Mail, The Walrus, and elsewhere. She recently began creating podcasts, including the award-winning series Don’t Listen to Us with Mandy Patinkin and Kathryn Grody. Katrina’s most recent book is the novel Stay Where I Can See You, published by HarperCollins Canada in 2020. That novel won an award for Best Crime Writing in Canada, and the Toronto Star called it “a fine piece of storytelling from one of Toronto’s most versatile writers.”

Katrina and I talk about what precipitated her shift into the podcast space, about how publishing a novel in the cursed year of 2020 was a major factor in stopping her writing fiction for a long time, and about how she is starting to feel a new sense of freedom in her writing.

This podcast is produced and hosted by Nathan Whitlock, in partnership with The Walrus.
Music: "simple-hearted thing" by Alex Lukashevsky. Used with permission.
Hosted on Acast. See acast.com/privacy for more information.

My guest on this episode is Elizabeth Renzetti. Elizabeth is an author and journalist who worked for the Globe and Mail as a reporter, editor, and columnist, and currently writes a regular column for the Toronto Star. Her books include Shrewed: A Wry and Closely Observed Look at the Lives of Women and Girls, What She Said: Conversations about Equality, and the Bury the Lead, which she co-wrote with novelist Kate Hilton. Her most recent book, also co-written with Kate Hilton, is Widows and Orphans, published by House of Anansi Press in 2025. Chatelaine called the book "a smart whodunnit."

Elizabeth and I talk about why she is Elizabeth on the covers of her books but Liz in real life, and why the Globe and Mail is partly responsible for that, about the benefits of having a co-author, and about how everything that happens in her life gets stored away as potential plot points for her mysteries.

This podcast is produced and hosted by Nathan Whitlock, in partnership with The Walrus.
Music: "simple-hearted thing" by Alex Lukashevsky. Used with permission.
Hosted on Acast. See acast.com/privacy for more information.

My guest on this episode is Raymond Biesinger. Raymond is a Montréal-based illustrator, artist, and author whose work has been published in places like Billboard, the Economist, the Globe & Mail, the Guardian, the New Yorker, The Walrus, and more. His debut book was the bestseller 305 Lost Buildings of Canada, which he illustrated and which was written by Alex Bozikovic. His most recent book is 9 Times My Work Has Been Ripped Off, published by Drawn & Quarterly in 2025. Author Cory Doctorow called the book “a masterclass in how creative workers can transform the endless, low-grade seething about the endless ripoffs of the industry into something productive and even profound.”

Raymond and I talk about his original plan to become a journalist, not an illustrator, about how his most recent book started life essentially as an act of blackmail, and about how having published a book about being ripped off has already helped in encouraging clients to pay him on time.

This podcast is produced and hosted by Nathan Whitlock, in partnership with The Walrus.
Music: "simple-hearted thing" by Alex Lukashevsky. Used with permission.
Hosted on Acast. See acast.com/privacy for more information.

My guest on this episode is Michelle Berry. Michelle is the author of more than half a dozen novels and three collections of short stories. Her books have been nominated for multiple awards and been optioned for film several times. For five years Berry owned and operated her own independent bookstore in Peterborough, Ontario, called Hunter Street Books. Her most recent two novels, which were both published in 2025 by Turnstone Press under the name MS Berry, are the thrillers The Tenant and Behind the Door. The Seaboard Review of Books called Behind The Door “a riveting experience.”

Michelle and I talk about how border collies are basically writers in dog form, about the culture shock that came with opening her own bookstore, and about the trade-offs that come with writing in a new genre under a pen name.

This podcast is produced and hosted by Nathan Whitlock, in partnership with The Walrus.
Music: "simple-hearted thing" by Alex Lukashevsky. Used with permission.
Hosted on Acast. See acast.com/privacy for more information.

My guest on this episode is Zilla Jones. Zilla’s writing has won the Journey Prize and been shortlisted for the CBC Short Story Prize and the RBC Bronwen Wallace Award for Emerging Writers. Her debut novel, The World So Wide, was published in April 2025 by Cormorant Books. The Winnipeg Free Press said that “Jones’ novel is a gift and a magnificent read that will leave readers crying for an encore.”

Zilla and I talk about the role opera singing has played in her life and in her creative work, about the very first story she ever wrote—at the age of 3, in crayon—and about exploring the complexities of social and historical issues through fiction, something she is rarely able to do in her day job as a lawyer.

This podcast is produced and hosted by Nathan Whitlock, in partnership with The Walrus.
Music: "simple-hearted thing" by Alex Lukashevsky. Used with permission.
Hosted on Acast. See acast.com/privacy for more information.