Interviews by Brainard Carey

• Duane Michals

  Duane Michals (b. 1932, McKeesport, PA) is one of the great photographic innovators of the last century, widely known for his work with series, multiple exposures, and text. Michals first made significant, creative strides in the field of photography during the 1960s. In an era heavily influenced by photojournalism, Michals manipulated the medium to communicate narratives. The sequences, for which he is widely known, appropriate cinema’s frame-by-frame format. Michals has also incorporated text as a key component in his works. Rather than serving a didactic or explanatory function, his handwritten text adds another dimension to the images’ meaning and gives voice to Michals’ singular musings, which are poetic, tragic, and humorous, often all at once.     View this post on Instagram   A post shared by Brainard Carey, Director of Praxis Center (@praxiscenterforlearning)

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• Stephen Bron

  Stephen Bron [b. 1993] is a painter living and working in Brooklyn. He received his BFA in painting at The Cooper Union in 2015, and received his MFA in Painting at NYU in 2017, and attended the Yale Norfolk Summer School in 2014. Bron has presented solo exhibitions with Albert Merola Gallery, Provincetown, MA, Auxier Kline Gallery, New York and Galerie Thomas Fuchs, Stuttgart, Germany. Stephen Bron, A Visible Breeze, 2025 oil on linen 30 x 40 inches Stephen Bron, Underfoot (The Divine Soil) #6, 2024-2025 oil on linen 12 x 9 inches Stephen Bron Strangers In The Garden, 2025 oil on linen 12 x 9 inches

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• Larissa Bates

  Larissa Bates (b. 1981, Burlington, VT) was raised between Vermont and Vara Blanca, Costa Rica. She received a BA from Hampshire College, MA. Recent exhibitions include Taymour Grahne, London, Myriam Chair Galerie, Paris; and Monya Rowe Gallery, NY. In 2024, her work was included in the group exhibition “Gilded: Contemporary Artists Explore Value and Worth” at the Weatherspoon Art Museum, Greensboro, NC, which traveled to the Hunter Museum of American Art, Chattanooga, TN and the Hood Museum of Art, Dartmouth, Hanover, NH. Bates’ work is in the permanent collection of the Hood Museum of Art. Exhibitions have been reviewed in The New York Times, The New Yorker, Artforum, among many others. Bates lives and works in Dobbs Ferry, New York and is represented by Monya Rowe Gallery, NY. LARISSA BATES, MotherMen Luncheon/La Merienda de los MadreHombres, 2024-2025  egg tempera on panel 16 by 20 inches LARISSA BATES, Spring Cleaning/Limpieza de Primavera, 2024-2025  gouache and egg tempera on panel 20 by 16 inches  LARISSA BATES, Patricia del Carmen, I didn’t know your Name, 2023  gouache, gold leaf, acryla ink and acryla gouache on panel  36 by 30 inches

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• Mara De Luca

  Mara De Luca's portrait by Lile Kvantaliani (b. 1973, Washington D.C.) paintings evoke a sense of atmospheric abstractions that bring to mind dusk, sunsets, and planetary orbs. Throughout her work there is a sense of reflected ambient light. De Luca's work today extends the celebration of illusionism, romanticism, and the sublime with a deeply informed response to modernist painting. De Luca received an MFA from CalArts, Los Angeles, CA and a BA from Columbia University, NY. Her work has been displayed at the Museum of Contemporary Art, San Diego and is in prominent collections, including the Buck Collection at UC Irvine, JP Morgan Chase, New York; Fidelity, Boston; Alexander Plaza Berlin, Germany; New York Medical College, New York; and the University of Oslo, Norway. She has been reviewed in Artforum, Cultured Magazine, The Los Angeles Times, Artweek LA, and others. De Luca is a recipient of the 2019 California Community Foundation Fellowship for Visual Artists. She has taught Painting at UC San Diego, UC Irvine, UC Davis and UC Riverside. Based in Los Angeles for over two decades, De Luca now lives and works in New York. Mara De Luca, Western Gate 1, 2024 mixed media on canvas with copper plated element 54 × 96 inches (137 × 244 cm) Mara De Luca, Western Gate 2, 2024 acrylic on primed and unprimed canvas with brass plated element 59 x 132 inches (150 x 335.5 cm) Mara De Luca, Cut Western Clouds, 2024, mixed media on cut canvas with copper plated elements, 48 x 42 x 3 inches (122 x 106.5 x 7.5 cm).

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• Eun-Ha Paek

  Eun-Ha Paek in her studio in Brooklyn, 2024. Photo by Helmi Korhonen. Courtesy of Hostler Burrows Brooklyn-based multimedia artist Eun-Ha Paek’s sculptures give physical form to the artist’s inner narratives and personal history, while exploring broader themes of identity and human experience. Paek’s hybrid approach to ceramics is informed by her background in animation and film. Her attempts to roll increasingly smaller, tighter coils eventually led her to introduce 3D printing to her practice, enabling detail that would not be possible by hand. The resulting pieces, while finally static, are created through a process that in many ways mimics stop motion animation. Paek’s work, across media, investigates questions of identity through storytelling. Hints of recognizable references and motifs are present in her figures, but this host of characters is the unique product of a visual language developed to give shape to the artist’s internal dialogue. Born in Seoul, South Korea, in 1974, Paek currently lives and works in Brooklyn, NY. She received a BFA in Film/Animation/Video from the Rhode Island School of Design, where she has also been a guest lecturer. Paek’s work has been exhibited throughout the United States and internationally, and she is the recipient of several awards and grants including the Windgate Scholarship and Rudy Autio Grant from the Archie Bray Foundation. Paek’s animated films have screened in the Guggenheim Museum, Sundance Film Festival, and venues around the world. She has been a guest lecturer at the Fashion Institute of Technology, a visiting critic at the Maryland Institute College of Art, and she currently serves on the faculty at Parsons School of Design/The New School. Eun-Ha Paek, Pied Piper, 2025. Glazed stoneware. 17" H x 15.5" W x 9.5” D. Photo by Joe Kramm. Courtesy of Hostler Burrows Eun-Ha Paek, Duck Lips Redux, 2024. 3D printed glazed stoneware. 17.5" H x 14" W x 8” D. Photo by Joe Kramm. Courtesy of Hostler Burrows Eun-Ha Paek, Mongmong Mountain, 2025. Glazed stoneware, gold leaf. 17" H x 22" W x 16”D. Photo by Joe Kramm. Courtesy of Hostler Burrows

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