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What’s My Thesis?

Javier Proenza
What’s My Thesis?
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  • 259 The Radical Intimacy of the House Gallery: Rethinking the Contemporary Gallery Model with Liz Hirsch
    In this episode of What's My Thesis?, host Javier Proenza is joined by Liz Hirsch, co-director of 839 Gallery—an artist-run house gallery in Los Angeles that reimagines what a commercial art space can look and feel like. Located in a 1924 Craftsman home, 839 is part of a growing network of intimate, artist-centered spaces shaping the future of exhibition-making in L.A. With a background in arts education, community organizing, and curatorial work at institutions like Artists Space and Essex Flowers, Hirsch discusses the vision behind 839: a space that supports emerging artists through solo shows, long-term relationships, and thoughtful engagement. Many of the gallery’s featured artists—including Olivia Gibson, Andressen Aqua, and Michelle Daly—are presenting their first solo exhibitions under Hirsch’s direction. The episode touches on the realities and freedoms of running a house gallery, the gallery’s upcoming presentation at NADA New York, and their limited-edition print series designed to make collecting more accessible. This conversation offers essential insights into how artists and curators are building new models of sustainability, intimacy, and care within a decentralized art world. Explore more: 📍 839 Gallery, Los Angeles 🌐 www.839gallery.com 📸 Instagram: @839gallery
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  • 258 Queer Spectacle, Polaroid Realities, and the Art of Wrestling with Identity with Christopher Anthony Velasco
    Queer Spectacle, Polaroid Realities, and the Art of Wrestling with Identity with Christopher Anthony Velasco In this illuminating episode of What’s My Thesis?, host Javier Proenza welcomes artist and educator Christopher Anthony Velasco—a polymath of performative personas, analog photography, and speculative queer mythologies. Known for his immersive character work and deep engagement with the aesthetics of subversion, Velasco brings an electrifying mix of vulnerability, irreverence, and narrative dissonance to a conversation that resists containment. Anchored by his long-running alter ego The Doctor, Velasco charts a performative lineage from backyard wrestling and horror cinema to body horror and experimental drag. His work collapses boundaries between art and entertainment, sincerity and satire, fiction and lived experience—what he terms “the art world as a wrestling ring.” Through characters like Krystal Carrington and Doctor Barbie, Velasco reclaims and retools identity through spectacle, queering archetypes from within. This episode explores: The influence of Japanese wrestling and horror film on Velasco’s photographic performance work The metaphysical potential of Polaroids as portals into alternate dimensions Drag as worldbuilding and trauma alchemy Navigating academia as a queer artist of color—from community college through CalArts and UC Santa Barbara Sobriety, creative resilience, and re-emerging with purpose Velasco speaks candidly about substance use, identity crises, and the emotional minefields of higher education, particularly the lack of institutional support for artists of color. Yet, the episode also brims with humor, warmth, and geeky tangents—from Transformers lore to micro machines, Proenza’s Miami coke-snobbery, and the joys of analog photography. This conversation is a living archive: disorganized, alive, and expansive. Like Velasco’s art, it makes space for contradiction, chaos, and camp without apology. Follow Christopher Anthony Velasco on Instagram at @caver83 Check out his podcast with Dakota Noot: Two in the Pinku — a deep dive into queer-coded Japanese cinema and cult classics. Hosted by Javier Proenza 🎙️ What’s My Thesis? is available on all major podcast platforms. 💥 Subscribe on Patreon for early access: patreon.com/whatsmythesis 📸 Follow the show on Instagram @whatsmythesis #ChristopherAnthonyVelasco #QueerArt #PerformanceArt #PolaroidPhotography #AnalogArt #DragArtist #BodyHorror #ArtistInterview #WhatsMyThesis #ArtPodcast #TransformersLore #WrestlingArt #LatinxArtists #CalArts #UCSB #ArtistSobriety #DavidZwirnerStyle #ArtAsSpectacle #CampArt
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  • 257 Building a Gallery from the Ground Up: Materiality, Mentorship, and Making Space with Rhett Baruch
      In this episode of the podcast, host Javier Proenza is joined by Rhett Baruch, founder of the contemporary art space Rhett Baruch Gallery, for a candid conversation that moves fluidly between car culture and curatorial strategy—touching on everything from VTEC engines and flat-plane V8s to the architecture of gallery identity in Los Angeles. Baruch discusses his unconventional journey from car enthusiast to gallerist, tracing how a passion for craftsmanship, aesthetics, and the tactile qualities of objects evolved into a sharp curatorial practice. With no formal background in the art world, Baruch speaks to the DIY spirit that shaped the gallery’s beginnings—from styling vintage design vignettes in his historic Little Bangladesh apartment to leveraging Instagram to cultivate a following of interior designers who would become his first collectors. Throughout the conversation, Baruch emphasizes materiality, intention, and relationships over trend-chasing or institutional pedigree. His eye for precision, born of a background in automotive performance and design, guides Rhett Baruch Gallery’s focus on high-quality, often hand-built contemporary works—from the sculptural paintings of Cole Seager and Christopher Ríos to the minimalist interventions of Satoshi Okada. Informed by an understated spirituality and a quiet resistance to conventional art world hierarchies, Baruch’s practice speaks to a broader shift in the collector landscape—one where emerging buyers are invited into the fold through aesthetics, storytelling, and trust. This episode offers an illuminating look at how one of LA’s most distinct young galleries is redefining what a contemporary art space can be: refined but accessible, rooted in design yet committed to fine art, and always evolving. Highlights include: How Rhett Baruch transitioned from automotive culture to the contemporary art world The role of interior designers in seeding a new generation of art collectors Rhett Baruch Gallery’s focus on material quality and process-based practices Thoughts on the art world’s relationship to faith, aesthetics, and the "white cube" model Building credibility without an MFA or institutional affiliation Gallery branding, voice, and strategy—from vignettes to vernacular Featured Artists Mentioned: Jonathan Todryk, Cole Seager, Christopher Ríos, Edward, Linda Keeler, Satoshi Okada, Laura Walberg Rhett Baruch Gallery Website: www.rhettbaruch.com Instagram: @rhett.baruch.gallery Listen to the episode on: Spotify | Apple Podcasts | Patreon (early access) Subscribe, Rate & Review If you enjoyed this conversation, please leave us a five-star review, share the episode, and consider joining our Patreon for early access to new episodes. #ContemporaryArt #ArtPodcast #RhettBaruch #RhettBaruchGallery #LosAngelesArt #EmergingArtists #ArtCollecting #GalleryLife #ArtAndDesign #MaterialityInArt #ArtistInterviews #CarCultureToCurator #ArtWorldInsights
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  • 256 Worldbuilding Through Memory and Myth: Elias Hernandez on Storytelling, Surrealism, and the Legacy of Conflict
    "Worldbuilding Through Memory and Myth: Elias Hernandez on Storytelling, Surrealism, and the Legacy of Conflict" In this immersive episode of What’s My Thesis?, host Javier Proenza welcomes artist and educator Elias Hernandez, whose deeply narrative visual practice draws from Latin American surrealism, video game aesthetics, and inherited stories of displacement and resilience. A recent MFA graduate from USC and collaborator with cult streetwear label Brain Dead, Hernandez charts a complex universe in his paintings—populated by star-bearing knights, sentient castles, and time-traveling wizards—where memory, mythology, and trauma are rendered in fantastical allegory. Born in Mountain View and raised between the Bay Area and Sunnyvale, Hernandez reflects on a childhood steeped in card games like Magic: The Gathering, which sparked his fascination with visual storytelling. These early interests evolved into a practice that explores “the burden and blessing” of cultural inheritance—from Salvadoran family histories shaped by civil war to folkloric Catholic imagery and Latin American feminist surrealism. In conversation, Hernandez discusses how drawing, teaching, and game-inspired worldbuilding intersect in his creative process. His paintings act as sequential mythologies—each one building upon the last—presenting a nonlinear, symbolic narrative of a hero's journey infused with biblical allusions, cosmic cults, and archetypes of good and evil. These compositions resist linear interpretation, instead inviting viewers into a slow unfolding of meaning that echoes oral tradition and pre-Columbian storytelling. As Hernandez explains, his work is not overtly political, yet it is politicized by its very existence within American contemporary art spaces. Drawing from artists like Otto Dix, Diego Rivera, and Leonora Carrington, his practice embodies a transhistorical dialogue where surrealist aesthetics and contemporary iconography converge—memes, murals, and medieval allegory colliding in a uniquely generational vision. Highlights include: How early exposure to fantasy media and tabletop gaming shaped his narrative sensibility The role of inherited trauma in the creative act and character development Reflections on his time as a bilingual educator in Oakland and the visual languages of immigrant youth A detailed breakdown of his fictional universe, including moon-worshipping cults and star-forging armor The spiritual dimensions of drawing and ceramics as ritual practices Insight into Central American cultural erasure and mythological reimaginings Hernandez’s work transcends medium and genre, bridging pop culture with ancient cosmology, and positioning painting as a vehicle for complex identity expression and speculative folklore. This episode is an invitation into the mind of a worldbuilder—one who channels collective memory into realms where the past haunts, empowers, and transforms. Follow Elias Hernandez on Instagram @eliasxhernandez and visit his website at www.eliashernandez.art. Listen now and subscribe to What’s My Thesis? on your favorite podcast platform. If you enjoyed this episode, leave a five-star review and support the show on Patreon for early access and bonus content. #EliasHernandez #LatinArt #SurrealistPainting #WorldbuildingArt #ContemporaryArtPodcast #WhatsMyThesis #ArtAndIdentity #FantasyArt #CivilWarMemory #MagicTheGatheringArt #USCArt #BraindeadCollab
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  • 255 Sanctuary in Practice: Art, Advocacy, and Survival with Dalia Palacios
    Episode Title: “Sanctuary in Practice: Art, Advocacy, and Survival with Dalia Palacios” In this luminous and profoundly intimate episode of What’s My Thesis?, host Javier Proenza is joined by teaching artist and community advocate Dalia Palacios, whose multidisciplinary practice and lived experience offer a compelling meditation on resilience, displacement, motherhood, and the transformative power of art. Palacios, born and raised in Echo Park, Los Angeles, recounts her early creative awakening amid housing insecurity, gentrification, and cultural dislocation. Her trajectory—from riding buses and bicycles across the city, to leading youth art workshops that reflect current gallery exhibitions—unfolds with honesty and urgency. With a voice shaped by community organizing, lived trauma, and poetic resolve, Palacios articulates the many roles she occupies: artist, mother, educator, survivor, and advocate. A former resident artist at Arts at Blue Roof, Palacios reflects on the pivotal experience of having a dedicated studio for the first time—a moment that catalyzed a deeply collaborative and experimental body of work, incorporating embroidery on paper, recycled materials, sculpture, and storytelling. The residency not only fostered material exploration but also offered a vital container for healing postpartum depression and longstanding mental health challenges exacerbated by the pandemic lockdown. Throughout the conversation, themes of intergenerational trauma, the stigmatization of mental illness in Latino communities, and the tension between art world access and grassroots engagement are explored with vulnerability and depth. Palacios shares how art has remained her sanctuary from childhood through motherhood, offering a rare continuity of purpose across ever-shifting landscapes. Highlights include: Her work with students at Angel’s Gate Cultural Center and the exhibition Black in Place Memories of learning to draw in Tijuana and formative punishment-as-creativity exercises Her advocacy against gentrification through graffiti, wheatpasting, and stencil work The profound role of community support in her healing journey The collaborative joy of working on a public mural with L.A. Commons and artist John Treviño Insights into applying for artist residencies as a parent and self-taught practitioner Palacios’s reflections are a reminder that the act of making art—especially in community—is a radical form of care. Her work speaks to the invisible labor of motherhood, the architecture of survival, and the quiet brilliance of those who create despite the odds. Follow Dalia Palacios on Instagram @blissone and stay tuned for her forthcoming website. Keywords: Dalia Palacios, LA artist, teaching artist Los Angeles, postpartum depression art, Arts at Blue Roof, Angel’s Gate Cultural Center, gentrification graffiti, art and healing, Latinx artist mental health, public mural Los Angeles, L.A. Commons, John Treviño, community-based art, artist parent residency, What’s My Thesis podcast.
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About What’s My Thesis?

What’s My Thesis? is a podcast that examines art, philosophy, and culture through longform, unfiltered conversations. Hosted by artist Javier Proenza, each episode challenges assumptions and invites listeners to engage deeply with creative and intellectual ideas beyond surface-level discourse.
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