Music Production and Mixing Tips Podcast for DIY Producers and Artists | Inside The Mix

• #216: I Tried Top-Down Mixing — Here’s What Actually Happened

  What if a better‑translating mix starts before you touch a single channel plugin? I put top‑down mixing under the microscope and share a candid, first‑hand evaluation: what worked, what didn’t, and how a few smart moves on the mix bus reshaped the entire project in less time and with fewer plugins. Rather than a tutorial, this is a field report packed with practical takeaways you can try on your next session.I begin by setting a clear vision using references—one in the same key for tonal and energy alignment—and a bounced static mix for instant AB checks. From there, we build a lean, disciplined master bus chain: gentle resonance control, broad‑stroke EQ shelves, an SSL‑style bus compressor, and subtle tape saturation. Those small, wide moves made a big difference early, tightening low‑end focus and smoothing top‑end glare while preserving macro and microdynamics. With the canvas set, we move through subgroups—kick and bass, drums, synths, vocals, FX—pushing fixes upstream and only dropping to track level for surgical EQ where it truly matters.Not everything got faster. Saving time on tone and dynamics meant time‑based effects arrived later, and finding the right reverb balance took more iteration than usual—proof that arrangement and spatial design can complicate a top‑down flow. Still, automation needs dropped thanks to better macro balance, CPU use fell with fewer chains, and translation improved across volumes. You’ll hear why starting at the mix bus can prevent “getting stuck in the weeds,” how to pick effective reference tracks, and when to abandon restraint for a precise channel tweak.Suppose you’re curious about master bus processing, top‑down mixing, and faster decision‑making without sacrificing quality. In that case, this session offers a straight‑talk guide to trying it responsibly on your own productions before rolling it out for clients. Listen, steal the framework, then run your own experiment—and tell me what you discover. Links mentioned in this episode:Listen to Narcissist THE UNSEEN DANGERS OF TOP-DOWN MIXINGWhere Top-Down Goes WRONGTOP DOWN MIXING - the SECRET SAUCEWhy Top-Down Mixing is the GOATTop-Down Mixing: The Secret To Better FASTER Mixes?Send me a message Support the showWays to connect with Marc: Radio-ready mixes start here - get the FREE weekly tips Book your FREE Music Breakthrough Strategy Call Follow Marc's Socials: Instagram | YouTube | Synth Music Mastering Thanks for listening!! Try Riverside for FREE

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• #215: How to Mix a Wall of Sound That Still Breathes with DRUMxWAVE and Brian Skeel

  What does a true wall of sound feel like when the vocal still breathes? We sit down with vocalist‑producer Jay Cali (DRUMxWAVE) and mixer‑producer Brian Skeel to unpack the craft behind Severed, big drums, widescreen synths, supportive guitars, and why clarity starts with a shared vision before a single plug‑in loads.We trace the journey from demo to master, beginning with an hour of alignment on emotion, references, and the “mountaintop” vocal image that sets every downstream choice. Brian breaks down how he builds commanding vocals without harshness: Revoice for doubles and harmonies that behave like real performances, meticulous cleanup, Slate’s processing for character and control, FabFilter DS for precision, and a touch of L1 to pin dynamics so automation can shape arcs. Width becomes a dynamic fader, verses intimate and centred, choruses opening with MicroShift for that lift you feel more than hear. Jay and Brian also reveal the “demon” breakdown: a vocoder moment sculpted with Baby Audio’s Humanoid, tamed by Soothe 2 and widened just enough to shock, then glide.If you’ve ever struggled to pair synths and guitars, you’ll get a clear playbook. Guitars serve aggression rather than steal focus, panned L/R and low‑passed to make way for hi‑hats and vocal air. Synth choices lean on Serum 2 and ANA 2, with patches picked for fit, not flash. The top end gets the same discipline as the low: cut clutter above 10 kHz so the mix doesn’t fizz, a lesson that came into focus after upgrading monitors and hearing what the old room hid. And for loudness without lifelessness - around −7.8 LUFS - Brian details a reference‑driven, top‑down chain using Metric AB, soft clipping and bus moves to reduce limiter strain, and focused multiband to keep choruses powerful without pumping.Along the way, you’ll pick up collaboration habits that save weeks: arrive with a concise brief and references, label stems to spec, and send specific revision notes. Ready to test it? Grab one current track with guitars, synths, and vocals. Try widening only the chorus vocal and low‑passing rhythm guitars until the breath returns. Hear the space? That’s what loud and open can sound like. If this resonates, follow, share with a friend who mixes dense productions, and leave a quick review so more producers can find these deep dives.Links mentioned in this episode:Follow DRUMxWAVEFollow Brian SkeelListen to Chroma CloudSend me a message Support the showWays to connect with Marc: Radio-ready mixes start here - get the FREE weekly tips Book your FREE Music Breakthrough Strategy Call Follow Marc's Socials: Instagram | YouTube | Synth Music Mastering Thanks for listening!! Try Riverside for FREE

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• #214: The Best FREE Plugins Every Producer Should Use

  Free plugins often get overlooked in the endless pursuit of premium software, but professional producers know that some of the most powerful tools cost absolutely nothing. In this illuminating conversation, Marc Matthews and Tim Benson (Aisle9) unpack their go-to free plugins that consistently deliver exceptional results across various production scenarios.The discussion begins with TAL Chorus LX, Tim's top recommendation for achieving that classic Juno-style chorus effect. While many producers shy away from chorus on bass elements, Tim reveals how subtle application can add dimension without compromising mix integrity. Meanwhile, Marc swears by Slate Digital's Fresh Air for bringing clarity to percussion elements, though he cautions listeners about its potentially aggressive presets and the importance of proper gain staging.Perhaps most valuable are the practical insights into how these tools integrate into real-world workflows. Soft Tube's Saturation Knob emerges as a versatile one-knob solution for adding harmonic richness, while TDR Nova provides dynamic EQ capabilities that rival premium alternatives. For spatial effects, Valhalla Super Massive creates otherworldly reverbs and delays that transform ordinary sounds into immersive soundscapes - particularly effective during breakdowns when automated thoughtfully.What becomes clear throughout is that these aren't merely "good enough" alternatives to paid options - in many cases, they're the preferred tools of experienced producers who could choose anything. Their simplicity often becomes their strength, allowing for quick, intuitive adjustments without getting lost in parameter overload. Whether you're just starting or looking to expand your production toolkit without the investment, these recommendations offer immediate ways to elevate your sound.Try implementing one of these free plugins in your next project and share your experience with us! We'd love to hear which free tools you consider essential in your own production arsenal.Links mentioned in this episode:We'd love to hear from you! Submit a questionListen to Night TrainsListen to Half-Life (Instrumental)TAL Chorus LXSlate Digital Fresh AirSoft Tube Saturation KnobTDR Nova EQValhalla Super MassiveGoodhertz Midside MatrixSend me a message Support the showWays to connect with Marc: Radio-ready mixes start here - get the FREE weekly tips Book your FREE Music Breakthrough Strategy Call Follow Marc's Socials: Instagram | YouTube | Synth Music Mastering Thanks for listening!! Try Riverside for FREE

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• #213: Finish Tracks Faster - Workflow Hacks Every Producer Needs (feat. John Kunkel)

  Have you ever felt stuck in an endless cycle of tweaking, adjusting, and second-guessing your music production decisions? Producer John Kunkel (aka John Grand) reveals the counterintuitive truth that many of us miss: working smarter, not harder, is often the key to finishing more tracks and creating better music.John shares his game-changing approach to using reference tracks as structural blueprints rather than just mixing guides. By importing a track you love and mapping out its arrangement, you immediately transform that intimidating blank DAW canvas into manageable building blocks. This simple technique has helped John slash his production timeline from weeks to days, and it might just revolutionise your workflow too.The conversation takes a fascinating turn when John explains why your sound selection decisions matter far more than your processing skills. "Your track is only going to sound as good as the choices that you make in sound selection," he explains, likening poor sound choices to painting with incompatible materials. This insight challenges the common tendency to reach for EQ and compression when the real solution might be choosing a different sample entirely.Perhaps most thought-provoking is John's psychological observation that constantly adding layers often indicates a lack of confidence in your original ideas. Drawing inspiration from artists like Eric Prydz, he advocates for focusing on fewer, higher-quality elements that evolve through automation rather than overwhelming arrangements that exhaust listeners' cognitive capacity.Whether you're just starting or looking to break through a creative plateau, this episode offers practical strategies to finish more music while keeping the joy in your production process. Links mentioned in this episode:Follow John GrandFollow The New Division How to Make Progressive House from Start to Finish | SpliceSend me a message Support the showWays to connect with Marc: Radio-ready mixes start here - get the FREE weekly tips Book your FREE Music Breakthrough Strategy Call Follow Marc's Socials: Instagram | YouTube | Synth Music Mastering Thanks for listening!! Try Riverside for FREE

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• #212: Streamlining Music Collaboration - How Mixup Changed My Feedback Workflow

  Frustrated by endless email chains, confusing file links, and clients commenting on the wrong version of a mix? In this episode of Inside the Mix, Marc Matthews explores how Mixup.audio is transforming the mix revision process for producers, mixers, and collaborators.Marc breaks down the platform’s most powerful features, including timestamped comments, version comparison, and normalised level matching, which eliminates loudness bias when reviewing mixes. Listeners will discover how Mixup’s intuitive design—where clients don’t even need to create an account—removes the barriers to clear communication and saves hours of frustration.The episode also compares Mixup’s free and paid versions, highlighting which features may be sufficient for different workflows. Marc contrasts Mixup with alternatives like FilePass and Highnote, offering his honest assessment of where each excels and how they can fit into a modern music production setup.For anyone struggling with mix revisions, vague feedback, or confusing client communication, this episode provides practical solutions to simplify collaboration. Whether producing for clients or working on personal projects, listeners will learn how to make the feedback process smoother, faster, and more professional.Links mentioned in this episode:Mixup.audioSend me a message Support the showWays to connect with Marc: Radio-ready mixes start here - get the FREE weekly tips Book your FREE Music Breakthrough Strategy Call Follow Marc's Socials: Instagram | YouTube | Synth Music Mastering Thanks for listening!! Try Riverside for FREE

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